本研究以筆者在研究所期間(2020-2024)的多個系列創作為研究範圍，包 括「下個今日」(2022)、「在那些日子裡」(2023)、「一天結束的時候」 (2025)等。這些創作源於作者對日常生活的深刻覺察，透過長時間的沉浸，形成 了對日常生活獨特的體驗。系列創作大多以居家生活情境為靈感來源，透過變造日 常物件，重新構築和回應自身所處的時空環境，呈現出日常生活的各種面貌。這些 作品不以傳達深刻哲理為目標，而是更多地展現了日常生活的平凡與特殊。
本研究旨在探索日常生活在個人生活中的角色和意義，透過文獻分析和探討，對日常生活的脈絡進行梳理，以深入理解當下日常生活的重要性。論文結構分為五章:第一章介紹研究動機、目的，研究範圍與方法;第二章以日常物件串連「文化」、「藝術」、「日常生活」的討論，探討日常物件在藝術中的應用以及日常生活的美學化;第三章討論作品的創作理念與形式技法;第四章以展覽為單位探討創作的內容，並對作品細節進行分析;第五章綜合前述，對研究結果進行討論和結論。
透過本研究，旨在深入探討日常生活與創作之間的關係，並探索作品中所蘊含的美學意義和個人情感。這样的研究可以進一步拓展對於日常生活和創作之間關聯性的理解，為理解當下社會文化背景下個人創作的意義提供新的思路與視角。

This study focuses on a series of works created by the author during graduate studies (2020–2024), including Next Today(2022), In Those Days (2023), and At the End of the Day (2025). These works originate from the author's deep awareness of everyday life, shaped through prolonged immersion, resulting in a distinctive experience of daily existence. Drawing inspiration primarily from domestic settings, the series reconstructs and responds to the spatial and temporal environments of everyday life by altering and transforming ordinary objects. Rather than conveying profound philosophical messages, these works emphasize both the ordinariness and uniqueness of daily life.
This study aims to explore the role and significance of everyday life within personal experiences. Through literature review and analysis, it seeks to contextualize and examine the importance of everyday life in contemporary settings. The thesis is structured into five chapters: Chapter One introduces the research motivation, objectives, scope, and methodology; Chapter Two connects everyday objects with discussions on "culture," "art," and "daily life," exploring the aestheticization of everyday objects in art; Chapter Three delves into the conceptual foundations and techniques employed in the works; Chapter Four examines the exhibition as a unit of analysis, offering detailed discussions on the content and presentation of the works; finally, Chapter Five synthesizes the findings, providing conclusions and reflections on the study.
By investigating the relationship between everyday life and artistic creation, this research seeks to uncover the aesthetic significance and personal emotions embedded within the works. Such an approach offers a broader understanding of the connection between daily life and artistic practice, providing new perspectives on the meaning of personal creation within contemporary socio-cultural contexts.