本論文為我的碩士畢業音樂會暨曲目解析與演奏詮釋。五首作品涵蓋了四個不同的樂派，分別為巴洛克、古典、浪漫以及二十世紀；其中兩首作品曾是國際大賽的指定曲，彰顯出本這場音樂會的挑戰性。在本論文中，我盡可能蒐集國內外的文獻資料深入了解創作背景、創作手法、和聲以及樂曲動機等等，並進行技巧解析提供克服困難技巧的練習方法，紀錄自我的音樂實踐與詮釋。
​本論文分為七章，第一章為緒論，分別為研究動機、文獻回顧以及研究方法；第二章為羅塔《長號協奏曲》的作曲家創作背景、技巧解析與練習方法以及演奏時見與詮釋；第三章為加利亞德第六號奏鳴曲的作曲家創作背景、技巧解析與練習方法以及演奏時見與詮釋；第四章為瓦根賽爾《長號協奏曲》的作曲家創作背景、技巧解析與練習方法以及演奏時見與詮釋；第五章為布拉姆斯《四首嚴肅的歌》的作曲家創作背景、技巧解析與練習方法以及演奏時見與詮釋；第六章普萊爾《思戀之情》的作曲家創作背景、技巧解析與練習方法以及演奏時見與詮釋；第七章為結論，內容包含我在撰寫論文時的心得分享。

This thesis presents an analytical and interpretative study based on Wu Chiao-Chun’s master’s degree trombone recital. The program features five works spanning four stylistic periods—Baroque, Classical, Romantic, and the 20th century. Several of the selected pieces are highly challenging, including two designated works from international competitions. Through extensive consultation of domestic and international literature, this study investigates the compositional background, techniques, harmonic language, and musical intent of each work. It also provides technical analyses and proposes practice strategies for overcoming specific performance difficulties, while documenting the author’s personal interpretative and rehearsal process.
This thesis is structured into seven chapters. Chapter 1 introduces the research motivation, literature review, and methodology. Chapter 2 explores Nino Rota’s background and provides analysis and interpretation of his Concerto for Trombone. Chapter 3 examines the compositional context of Georg Christoph Wagenseil and his Concerto per Alto Trombone. Chapter 4 analyzes Johann Ernst Galliard’s Sonata No. 6 from Six Sonatas within its historical and stylistic context. Chapter 5 focuses on the trombone arrangement of Johannes Brahms’s Vier ernste Gesänge, with emphasis on structural and expressive interpretation. Chapter 6 investigates Arthur Pryor’s Thoughts of Love, offering performance insights and historical commentary. Chapter 7 presents concluding reflections on the recital experience and interpretive process.