摘要

本論文將分別講述四首作品之作曲家生平、創作背景、樂曲分析以及演奏詮釋的部分，讓學習、演奏與研究過程中對於曲目有更加深刻的理解。並研究筆者於練琴及演奏時的不足與解決因慣性所產生不良音色的方法，帶入探討曾晴小提琴碩士學位獨奏會所演奏的四首曲目之中。
全文共六章：第一章為緒論、第二章為舒伯特《G小調小提琴奏鳴曲，作品四〇八》、第三章為蕭頌《詩曲，作品二十五》、第四章為克萊斯勒《中國花鼓，作品三》、第五章為葛利格《C小調第三號小提琴奏鳴曲，作品四十五》以及第六章為探討基本技法與演奏之技術問題之關係，將研究筆者在練琴及演出時所發現的問題，透過技術上的調整並套用於曲目之中，加以修正。

Abstract

This thesis will discuss the composers' biographies, compositional backgrounds, musical analyses, and performance interpretations of four selected works, providing a deeper understanding of the repertoire during the processes of learning, performing, and research. It will also examine the author's shortcomings during practice and performance, as well as methods for addressing undesirable timbre caused by habitual playing. These reflections will be incorporated into the discussion of the four pieces performed in Tseng Ching Master Violin Recital.
This thesis is divided into six chapters: The first chapter is the Introduction. Chapter Two focuses on Schubert’s Violin Sonata in G Minor, D. 408. Chapter Three discusses Chausson’s Poème, Op. 25. Chapter Four examines Kreisler’s Tambourin Chinois, Op. 3. Chapter Five analyzes Grieg’s Violin Sonata No. 3 in C Minor, Op. 45. The final chapter explores the relationship between fundamental techniques and performance-related technical issues. It investigates the problems the author encountered during practice and performance, and how these issues were addressed through technical adjustments and applied to the repertoire for refinement.