研究生: |
吳曉琪 Wu, Hsiao-Chi |
---|---|
論文名稱: |
碎事集——吳曉琪創作自述 Collected Fragments in Art Works Thesis by Wu, Hsiao-Chi |
指導教授: |
謝鴻均
Shieh, Hong-Juin |
口試委員: |
彭佳慧
Peng, Jia-Hui 林欣怡 Lin, Hsin-I |
學位類別: |
碩士 Master |
系所名稱: |
藝術學院 - 藝術與設計學系所 Master Program of Arts Education and Creation, Arts and Design Department |
論文出版年: | 2024 |
畢業學年度: | 112 |
語文別: | 中文 |
論文頁數: | 97 |
中文關鍵詞: | 撿拾 、蒐藏 、聯想 、圖鑑 、珍奇櫃 |
外文關鍵詞: | picking up, collection, association, illustrated document, cabinet |
相關次數: | 點閱:128 下載:0 |
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《碎事集——吳曉琪創作自述》是關於我在2021年至2024年之間的創作與論述,從我的蒐藏物件出發,依循個人主觀對於這個世界的理解,透過個人的內在建構,呈現一個碎事組成的世界觀。
本論文分為五個章節,第一章,「緒論」,將確立我的研究動機、研究內容與研究方法。第二章,「局外人與邊緣物」,我視創作為暫時逃離資本主義社會的姿態,蒐藏日常生活零碎殘片的感性痕跡,拼湊出屬於自己的世界觀,也將論及我的觀星體悟連接自身創作手法,並從參考藝術家Sarah Sze、Adam Dant轉化生活中微小事物與瑣碎知識為創作手法作為借鏡。第三章,「幕後」,談論我的創作方法,藉由漫遊的概念,來開啟我的創作,並接續探討我在蒐集、陳列、立體雕塑以及創作圖鑑型繪畫等過程所留下的視覺紀錄,最後集結整理出我目前蒐藏並成為作品的物件。第四章,「碎事敘述」,將分析我的作品,將作品看作是一則則故事,不同的物件帶出不同的敘事。第五章,「結論」,將綜合我近三年的創作成果,回顧過去並展望未來。
關鍵字:撿拾、蒐藏、聯想、圖鑑、珍奇櫃
" Collected Fragments in Art Works" is my art thesis from 2021 to 2024. Starting from my collection of objects, following my personal subjective understanding of the world, and through my personal inner construction, I present a story of fragments. A worldview composed of things.
This thesis will be divided into five chapters. In Chapter I, the first chapter I, "Introduction", I will establish my research motivation, research content and research method. In Chapter II, "Outsiders and Marginal Objects", regarding creation as a temporary escape from capitalist society, I will explain how I collect fragments of daily life and built my own worldview. I'll also discuss about my experience of stargazing and refer to artists, Sarah Sze (1969~) and Adam Dant (1967~) who transform the small things and trivial knowledge in life into creative techniques as a reference. In Chapter III, "Behind the Scenes", I will have my creative method, using the concept of wandering to start my creation, and exploring my collection. The visual records will be the process of displaying, transforming objects, and drawing illustrations, etc., and finally compiled and turned into works. In Chapter IV, "Narrative of Fragments", I will analyze my works. I consider my art as stories and different objects will carry out multiple narratives. In Chapter V, "Conclusion", I will make a conclusion of my creative achievements in these years. I will look back on the past and look forward to the future.
Keywords: picking up, collection, association, illustrated document, cabinet
一、中文書目
Walter Benjamin著。《機械複製時代的藝術作品:班雅明精選集》。莊仲黎譯。台北市:商周出版。1998。
Walter Benjamin著。《單行道》。姜雪譯。新北市:方舟文化出版。2022。
Jean Baudrillard 著。《物體系》。林志明譯。台北市:麥田出版。2018。
Nicolas Bourriaud著。《後製品》。熊雯曦譯。北京:金城出版社。2014。
二、外文書目
Sarah Sze著。《Triple Point》。The Bronx Museum of the Arts, New York Gregory R. Miller&Co., New York。2013。
三、網路資料
La Vie網站。《充滿想像力的圖鑑繪畫!英國藝術家Adam Dant考究型的地圖式插畫創作》。https://www.wowlavie.com/article/ae1701614。
Columbia Magzine。Review: "Sarah Sze: Triple Point"By Sarah Sze (Gregory R. Miller & Co./The Bronx Museum of the Arts) 。https://magazine.columbia.edu/article/review-sarah-sze-triple-point
Architectural Record。2013 Venice Biennale: A Look at the 55th International Art Exhibition。https://www.architecturalrecord.com/articles/2895-venice-biennale-a-look-at-the-55th-international-art-exhibition
Afasia Archzine。Sarah Sze。https://afasiaarchzine.com/2013/06/sarah-sze/#google_vignette