本創作論述以「夜色無邊」為主題，探討個人表現的創作內容，我將從敘事系列開始，經由攝影與裝置作品分析各個創作元素的轉變，釐清創作脈絡與探究其與自我內在的投射關係，自身內心的孤獨狀態轉化昇華為平和的創作心態，透過書寫述說建立具體的創作架構。

本文第一章「緒論」說明創作背景，並確立研究動機、目的藉由就內容與方法；第二章「孤獨版圖」，分為三部份闡述，從「心理狀態」方面分析孤獨的成因，再以創作過程中的「重複性」為論述重點舉出草間彌生（Yayoi Kusama，1929－）與傑克森．帕洛克（Jackson Pollock，1912~1956）在創作時的狀態對照自身的異同，再經由幾何抽象的演變流派找出形式上的關聯性與精神性上的追求；第三章「生命版圖」，描述生命歷程與創作歷程找出創作與內在自我之間的對照關係，梳理創作脈絡；第四章「解析紀錄」，對五角形的象徵意義做探討，且由重複與層疊，罩染與磨除等創作手法分析其代表的心理狀態；第五章「夜色無邊」進入主要系列作品的描述，將作品分為以「燈」作創作題材的裝置作品和由五角形幾何為元素的平面創作；第六章「結論」，對創作過程與分析過程作總結，期待透過書寫釐清自身的生命經驗與內在精神，為之後創作與生活開拓道路。

For the discourse of artwork creation, this article takes the "Endless Night in White Satin" as the topic to discuss the creation content of personal presentation. It starts from narrative painting and goes through photography and installation artwork to analyze the transformation of individual creation elements. The creation context is sorted out and its reflective relationship with the inner self explored, through which the inner self solitude sublimating to a tranquil mindset of creation is discoursed in the narrative writing to build a solid creation framework.

In Chapter 1 – Exordium, I’ll describe the background of creation and establishes the research motivation and objectives through which the content and methodology are discussed. In Chapter 2 - Solitude Territory, I’ll have three parts of discourse. It sets out from the "state of mind" to analyze the causes of solitude, followed by the discourse of "repetitiveness" in the creation process, where the mindset of Yahoi Kusama (since 1929) and Jackson Pollock (1912-1956) are illustrated for self-comparison, and then from the evolution genres of geometric abstraction, the formal correlations and spiritual pursuance are identified. In Chapter 3 - Life Territory, I’ll depict the journey of life and creation to discover the comparative relationship between creation and inner self, through which the creation context is sorted out. In Chapter 4 - Interpretation of Records, I’ll explore the pentagon symbolism, and analyzes the creation approach of repeating and stacking, glazing and scraping for an insight of the mental state. In Chapter 5 - Endless Night in White Satin, I’ll present series of art works, which are divided into the "Lamp" theme of installation artwork and graphic creation themed on the geometric elements of pentagon. In Chapter 6 – Conclusion, I’ll summarizes the process of creation and analysis, in hopes that through the writing that identifies my experience of life and inner spirit, a new road is paved for future creation and life experiencing.

書目

G.JungCarl. 《人及其象徵》. 譯者 龔卓軍. 台北: 立緒文化事業股份有限公司, 1999.
Wieland-BurstonJoanne. 《孤獨世紀末》. 譯者 宋偉航. 台北: 立緒文化事業股份有限公司, 1999.
太宰治. 《人間失格》. 譯者 高詹燦. 新北: 木馬文化事業股份有限公司, 2015.
草間彌生. 《無限的網－草間彌生自傳》. 譯者 鄭衍偉. 台北: 木馬文化事業股份有限公司, 2011.
黃文叡. 《現代藝術啟示錄》. 台北: 藝術家出版社, 2002.

網站

王嘉驥.《台灣當代幾何抽象的變奏：策展專文》.2010
http://www.itpark.com.tw/people/exh/7