本創作論述主要延續大學畢業製作的表現形式，以「點點心緒」作為2020年至2023年間的創作論述主題，創作內容是以複合媒材拼貼的方式堆疊出身體感官和扭曲的結為意象，藉此表現自我內在情緒、慾望、自卑、人格衝突……等心靈思緒的狀態。

本創作論述是從自己的內在出發，以心理學為學理基礎，當中包含佛洛伊德的人格理論、阿德勒個體心理學中的自卑理論，以及情緒的成因、種類及發展相關理論，同時探究藝術家如何在創作中傳遞情緒，從中了解自己複雜內心世界的成因，並回顧及省思自己的成長與性格養成的過程，進而建立自我與創作的連結。

筆者透過複合媒材的拼貼表達自己的內心世界，將一張張不同表情的臉孔反覆剪貼與堆疊，創作出「情緒感官」、「心結」、「慾望之淵」系列作品，將自己面臨情緒起伏與內在衝突時的困擾呈現出來。同時藉由研究安迪沃荷、草間彌生及張羽的作品及理念，探究自身作品不斷重複的表現形式帶來的視覺與心理感受，以及行為下的心靈狀態。

最後經由論述的撰寫進行梳理，統整出這段期間自我創作的脈絡、特色、價值與省思，並思考未來創作的發展方向。

關鍵字：點點心緒、表琦、自卑

This creation discussion is based on the form of expression traced back to the author’s student graduation project in university. “The Discourse of Mixed Media Works” has concluded the theme of creation discussion which was put into practice from 2020 to 2023. The collections were created from the combinations of physical sensations and twisted knots that were piled up by mixed media works, conveying the status of both mind and thought like inner emotions, desires, inferiority complexes, roles conflicts, and so on.

The creation discussion originates from the author’s inner feelings, which was made on the basis of psychology. Freud's theory of Personality Structure, the theory of Inferiority Complex in Alfred Adler’s Individual Psychology, and some related theories about causes, types as well as developments of emotions were also included in the discussion, exploring how the author, as known as an artist, conveyed emotions through creations and found out the roots of complicated inner perceptions. By means of reviewing and reflecting the process of growing and character development, the author got to form the bounding between ego and the productions.

The author expressed his own inner world by collaging mixed media together. By clipping, pasting and piling up different expressions of one face, the author created a collection consisting of art pieces such as “Emotional Sensations”, “Knots” and “The Abyss of Desires”. The collection portrayed the distraction of one’s own when facing not only emotional ups and down but inner conflicts. Besides, through digging deep in art pieces and creative concepts of artists like Andy Warhol, Yayoi Kusama, and Zhang Yu, the author was finally able to exploring the visual and psychological reflections towards the constantly-repeating form of expression, along with the mind status occurring when creating.

In the end, by organizing the creation discussion above, the author had the chance to integrate those contexts, features, value and reflections during the specific period of time, also leading to further directions of upcoming creations.

Key Words: The tiny pieces of mood、The expressions of Lee An-Chi、Inferiority

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