我將夢視作能帶給自己正面意含的寓言故事，成為現實生活外，另一種生活體驗與成長經歷。我在本文引用了心理學家卡爾•榮格 ( Carl Gustav Jung，1875-1961)的方法，重疊自己的看法，實踐在視覺創作。
第一章「緒論」，將描述到我發現夢的種種現象，它具有治癒心靈的能力，可為生病的心靈作療癒的解藥，此章節，試著了解心理學家榮格，如何利用夢境達到心靈平衡，並幫助他人。我在研究所階段，統整了自己做夢的方式，並藉由學習榮格相關理論與相關的夢境分析書籍，一步步將自己創作夢畫的過程釐清。
第二章「夢之境」，將自己當作一個自我分析的案例，理出作夢的相關條件與要點。過程中對照榮格理論，列出自己如何做夢與做夢的步驟，正視夢境的真實，讓做夢成為一種信仰態度，信任夢能帶來正向力量，進而產生更清晰的細節，深刻的去體驗夢境，再藉由創作紀錄夢的回憶，分享個人經驗。長時間的創作，能幫助回憶夢境，更能加強夢的真實感與清晰度，最後試著自己分析夢境，讓夢境具有更高的存在價值，分析夢帶給我的寓意，最後能反省，這是榮格最強調與樂見的事情，也是容格在教導學生的宗旨。
第三章「夢例與解析」，述說在記錄的歷程中，發現了夢的特徵，利用這些特徵，找尋相關文獻，總和、歸類出對我研究有益的實驗。參照榮格學派的分析方式，完成了屬於我自己的夢境體驗與產生的自我影響。
第四章「作品分析」關於我記錄的創作手法，運用創作當記錄手法，水墨繪畫、陶土創作、原子筆在牛皮紙板上刻挖的各種創作歷程，以及運用新的技法完成紀錄，主要創作的形式以曼荼羅(Mandala)；記錄夢境的繪畫方式，作出不同媒材的夢境紀錄作品。
第五章「結論」，關於我的研究方法總結，創作「夢境紀錄」對我產生的療癒力，也就是扭轉負面的情緒，在心靈上由自己的內部產生滿足感，不需要藉由外在的事物。在夢中有能力清醒，操控夢境，創造它。解讀後，化解陰暗情緒作結語。

I see dream as a fable that give me positive meanings. It becomes an alternative life and growing experiences, beside the reality. In this article, I will appropriate the concept of Carl Gustav Jung, combining with my thought and vision creations.
In chapter 1, “Introduction”, I will describe what I’ve found from dreams, it has the power to heal the soul and could be the cure of a tired mind. In this chapter, I’m trying to understand how Jung use the dream to accomplish the balance of soul. In my graduate study, I looked into and integrated my dreams. Through the learning from Jung’s theory and the books about dream analysis, I will clarify my creation of dream paintings step by step.
In Chapter 2, “Dreamland”, I’ll treat myself as a self-analysis case, and analyze the relevant conditions and the purposes of dreaming. In comparison with Jung’s theory, I’ll reveal how I’ve dreamed and the steps of dreaming, to confront the reality of dreamland, to make the dreams as a belief, to trust that dream could give me positive impacts. And furthermore, I’m going to recognize more details, to deeply explore the dreamland, to keep a record of dreaming through making art, and to share my personal experiences with readers. Creating art works helps me to recall the memory from dreamland, it emphasizes the reality and clarity of dreamland. Eventualy, I’ll nalyses my dreamland, to make its existence with high values. The implication analyzed from the dream could help me exam my soul, and this is exactly what Jung explained and he would be glad to see it happen, and this is also his aim.
In Chapter 3, “Analyzing the Thought”, I’ll describe the features I discovered from the recorded dreams. Through these features, I look up some literature and sort out what is best for my experiment. Using Jung’s analysis, I’ll accomplish my own dreamland experiences and self-impacts from them.
In Chapter 4, “Analysis of the works”, I’ll record my creation approaches as I see creating as recordings. The main creation approaches is Mandala. In the creation approach of recording dreamland, I use different materials recording my dreamland. I use ink painting, potter’s clay and ball pen to carve on a kraft board to reserve the process with special techniques.
In Chapter 5, “Conclusion”, I’ll describe the power of healing while creating “Dreamland Recordings.” It turns the negative emotion around and satisfied me on the spiritual platform. In my dream, I have the power to stay awake, to manipulate the dreamland and to create it in artworks. After understanding the dreamland, I am able to solve negative emotions.

引用資料
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