研究生: |
周宜美 Chou, Yimei |
---|---|
論文名稱: |
《都柏林人》中的喬伊斯與愛爾蘭的良知 James Joyce and the Irish Conscience in Dubliners |
指導教授: |
蕭嫣嫣
Hsiao, Yen-yen |
口試委員: | |
學位類別: |
碩士 Master |
系所名稱: |
人文社會學院 - 外國語文學系 Foreign Languages and Literature |
論文出版年: | 2004 |
畢業學年度: | 92 |
語文別: | 英文 |
論文頁數: | 83 |
中文關鍵詞: | 愛爾蘭性 、愛爾蘭文藝復興 、愛爾蘭民族主義 、背叛 |
外文關鍵詞: | Irishness, Celtic Revival, Irish Nationalism, betrayal |
相關次數: | 點閱:3 下載:0 |
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本文主要探討在愛爾蘭政治,宗教和文化情境下,如何形成喬伊斯所謂的愛爾蘭良知此一重要概念。良知一字來自《畫像》它點出喬伊斯創作《都柏林人》的兩個觀點。首先,喬依斯展現文學良知來對抗殖民論述中的愛爾蘭形象和文藝復興運動中的愛爾蘭性,他也同時批判省思在愛爾蘭民族運動中身為一個民族作家的角色與文化使命。在序言部份,首先要批判的是由葉慈和海德所領導的文藝復興運動的文化策略和論述,進而一步肯定喬氏對愛爾蘭貶抑的描述。第一章主要探討愛爾蘭在大飢荒裡所遭遇的殖民壓迫,及其伴隨而來的經濟蕭條造成愛爾蘭境內的性別與婚姻問題。然而,喬依斯也清楚愛爾蘭的矮化與苦難不能單方歸咎於英國殖民政策,也須反思愛爾蘭自身的的墮落,因為愛爾蘭自願為殖民底下的被壓迫者。第二章探討的是民族運動中的背叛以及宗教干政,我將以Seamus Deane 的論述來闡述愛爾蘭背叛和教會所扮演的政治機制。第三章是要探討死者。首先是對結局作一扼要的文獻回顧,進而分析主人翁如何藉由與三個女性的衝突達到頓悟,並思索蓋爾維的尋根之旅。最後,我再次肯定作為道德史一章的《都柏林人》一書的重要性與喬依斯的貢獻。
Abstract
My thesis focuses on Joyce’s conception of conscience in terms of the Irish political, religious and cultural context. The word “conscience” comes from Portrait to reveal two aspects of Joyce’s intention of writing Dubliners: first, to demonstrate his literary conscience against the image of Ireland in the colonial discourse and to challenge definition of Irishness in the revival movement. And second, Joyce also starts a self-critical view of his own cultural mission and his own artistic role of being an Irish artist in the nationalist movement.
This introduction begins with my interrogation of the cultural project of the Irish Revival. It is a critical survey on the issues of the Gaelic Revival initiated by Douglas Hyde and W. B. Yeats. This interrogation anticipates my assertion of Joyce’s portrait of Ireland’s debasement. In Chapter One, I explore the Irish colonization and subjugation under the British oppression of the Great Famine in the nineteenth century. I will explore the destruction of the Irish economy on the themes of sexuality, gender and marriage. However, Joyce realizes that the Irish subjugation and victimization are not only the result of the British colonialism but also the Irish own degradation when they are willing to become the consent subservience and grateful for being the oppressed.
In Chapter Two, I discuss the theme of betrayal in the Irish nationalism as well as the Church’s involvement in the political movements. And I would highlight the theme of betrayal with Seamus Deane’s discourse of “Ireland’s traditional unfaithfulness” to explore the Catholic Church as a political institution for her involvement in the nationalist movement. In Chapter Three, I discuss the longest story “The Dead”. First, I examine the critical reviews about the final vision and assert my assumption of how Joyce concludes his Dublin world as a world of rebirth through Gabriel’s confrontations with three females (Lily, Miss Ivors and Gretta) and imagines his motherland by Gabriel’s epiphanic journey to Galway in the snow vision. In the conclusion, I will assert Joyce’s contribution of writing Dubliners that serves as a “moral chapter” of demonstrating his literary conscience against the superficial practices of the revivalists’ cultural enterprise and the British colonial discourse in naturalizing the Great Famine. I will re-examine the importance of Joyce’s Dubliners in the Irish Revival movement.
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