研究生: |
陳惠敏 Hui Min, Chen |
---|---|
論文名稱: |
「瘋狂」的劇場:精神病人的互動與表演初探 The Episode of Madness: the Interaction and Performance between Psycho Patients |
指導教授: | 林淑蓉 |
口試委員: | |
學位類別: |
碩士 Master |
系所名稱: |
人文社會學院 - 人類學研究所 Anthropology |
論文出版年: | 2001 |
畢業學年度: | 89 |
語文別: | 中文 |
論文頁數: | 86 |
中文關鍵詞: | 精神病人 、策略性互動 、存世經驗 、高夫曼 |
外文關鍵詞: | mental disorder patients, strategic interaction, experience of being, Goffman |
相關次數: | 點閱:1 下載:0 |
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本研究由北部某精神病院內的急性病房的考察開始,以精神病院內的精神病人為研究主體,將精神病院視作一個「劇場」,以在場域中活動者為「行動者」、「演員」(actor),觀察行動者之間(病人與病人、病人與醫護人員)的互動與對話,透過對「表演」與「互動」的理解來說明在精神病院的醫療機構中,權力、疾病、與病人的角色是如何透過在病院內的例行活動,枝微末節的反覆操作而建立起來的;並以對「生活經驗」之關注描繪出病人之「不舒服經驗」在機構中的意義,藉著「病人」的「不舒服經驗」與「現實感」的呈現,重新檢討了現代社會對「瘋狂」的劃分及想像,使得問題深化至對「病人」之「存在」的意義的探討。
我企圖轉換一種新的觀點來說明並找出:「精神病人」與其說是代表了一種醫病共享的現實(reality),不如說是代表了兩個截然不同的現實:一方所賦予的意義截然不同於另外一方所賦予的意義。而這樣的不同,透過病人與醫師對於病情、身體、治療、個人世界的不同觀點,以及意義構成的層次的不同來展現。
最後,同樣採用表演與舞台觀點,來檢視觀察者(研究者)在田野現場所處的位置問題,進行田野工作的反身性(reflexivity)思考,一方面是對人類學田野工作的方法論上的省思,另一方面,也是企圖對Goffman的表演研究中「我」的缺席,提出一些小小補充。
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