研究生: |
黃芸茵 Yun-yin Huang |
---|---|
論文名稱: |
喬依哈喬作品中的新美國原住民意識 The New Native American Consciousness in Joy Harjo |
指導教授: |
傅思迪
Steven Frattali |
口試委員: | |
學位類別: |
碩士 Master |
系所名稱: |
人文社會學院 - 外國語文學系 Foreign Languages and Literature |
論文出版年: | 2006 |
畢業學年度: | 94 |
語文別: | 英文 |
論文頁數: | 91 |
中文關鍵詞: | 美國原住民 、喬依哈喬 、口述傳統 、倖存 、回溯 、印地安 、說故事 、音樂性的 |
外文關鍵詞: | Native American, Joy Harjo, Oral Tradition, Survival, Going Back, Indian, Storytelling, Musical |
相關次數: | 點閱:69 下載:0 |
分享至: |
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
本篇論文主要目的是探索美國原住民在文學作品中展現的新意識 ,尤其在喬依哈喬的詩作當中。這股美國原住民新意識跟以往的憤怒與絕望不同,而是一種積極的想法取代以往的破碎記憶與自我認同。
喬依哈喬在詩作中運用了許多原住民部落傳統的元素;同時由於美國原住民流離的歷史背景,也有股孤寂的氣氛籠罩在她的作品當中。哈喬在寫作手法上巧妙的結合本格詩學結構與部落吟唱的口傳傳統,使部落吟唱傳統得以化為文字,以嶄新面貌並蘊含新時代意義地躍然紙上。美國原住民的獨特生態意識與豐富的自然譬喻也在在出現這位詩人的作品當中,如此更加強的其作品的文化力量。其中萬物皆有關聯並互相影響的概念更是提供了快速變遷的世界一個不同的視野與歸屬感。
哈喬的作品除了具備與其他原住民寫作相同的特性以外,她也擷取了部落集體記憶,並且積極面對過去的傷痛,呈現出強烈的生存與存續的新意識。她代表了新一代印地安人的新意識;她回顧並擁抱過去的傳統價值與思考模式。哈喬深信在現代多元文化社會,唯有回歸傳統方可不隨波逐流地堅定保有自我部落意識。
美國原住民的詩作可以被視作口傳文學的新形式,而且根據文獻這種新形式在歷史文化脈絡中可成為原始文化的延續。更精確的說,哈喬展現了一種讓弱勢文化延續並保持文化完整性的獨特方法。都市化的現代印地安人們也因此可以保有獨立的自我與部落意識。 過去的集體記憶對原住民文化延續的重要性,以及文學作品在這過程中的角色也得以顯現。
The aim of this study is to explore the Native American consciousness represented in literary works, especially in Joy Harjo’s poetry. Instead of anger and despair, the new native consciousness of nowadays are more positive, more integrity rather than fragments.
Joy Harjo draws various energies from her background to her poetry. First, from the historical context of Indian people, a desolate situation and lonely atmosphere still exists, and even dominates. Also, the idea of ecological interdependence and rich metaphors derived from her tribal experiences strengthen the cultural power of her poetry. More, she ingeniously combines the elements of storytelling and chanting into written forms, giving native poetry a role of tradition-carrier and a new meaning. The religious beliefs of connection of the natural world may provide modern people a new thought of belonging. In addition to general characteristics of native writers, Harjo possesses a stronger idea of continuance and survival by recalling collective memories and facing the past of Indians without fear and shame. She presents a new consciousness of the new Indian generation which respects the ancestors and past in order to earn a future with roots. She is no more an urban Indian without choices but she could live like a real Indian.
The role of Native American poetry is a new and particular form and representation of oral traditions, as previous studies have suggested and it would continue to play as an agency of primeval cultures in a historical context. More specifically, Joy Harjo shows a unique way to preserve personal and cultural integrity and how could an urbanized Native American maintain a sense of self and tribe. Thus, the idea that the collective memory is essential in Native culture and also a role that mirrors her significance in Native literature is developed.
Alexander, Robert. “Prose/Poetry.” The Party Train: A Collection of North American
Prose Poetry, Ed. Robert Alexander, Mark Vinz, and C. W. Truesdale, Minneapolis: New Rivers Press, 1996.
Andrews, Jennifer. “In the Belly of a Laughing God: Reading Humor and Irony in the Poetry of Joy Harjo.” American Indian Quarterly, 24:2, 2002.
Astrov, Margot, ed. The Winged Serpent: American Indian Prose and Poetry. Boston: Beacon Press, 1992.
Babcock, Barbara. “’A Tolerated Margin of Mess’: The Trickster and His Tales reconsidered.” In Critical Essays on Native American Literature, edited by Andrew Wiget, 153-85. Boston: G. K. Hall, 1985.
Baker, Jr. Houston A., ed. “Native American Imaginative Literature.” Three American
Literatures: Essays in Chicano, Native American, and Asian-American Literature for Teachers of American Literature. NY: MLA, 1982.
Bataille, Gretchen M., and Kathleen Mullen Sands. American Indian Women: Telling
Their Lives. Lincoln: University of Nebraska Press, 1984.
Belassi, William et al., eds. “Joy Harjo.” This Is About Vision: Interviews with
Southwestern Writers. Albuquerque: University of New Mexico Press, 1990.
Blaeser, Kimberly M. Gerald Vizenor: Writing in the Oral Tradition. Oklahoma: Norman, 1996.
Castro, Michael. Interpreting the Indian: Twentieth-Century Poets and the Native American. Albuquerque: University of New Mexico Press, 1983.
Coltelli, Laura, ed. The Spiral of Memory: Interviews. Ann Arbor: University of Michigan Press, 1996.
-----. “Introduction: The Transforming Power of Joy Harjo’s Poetry.” Coltelli. I13.
----- . “Winged Words.” American Indian Writers Speak. Lincoln: University of
Nebraska Press, 1990.
Evers, Larry J. “A Conversation with N. Scott Momaday.” Sun Tracsk: An American
Indian Literary Magazine 2.2 (1976): 21.
Fixico, Donald L. Urban Indians. New York: Chelsea House Publishers, 1991.
Goodman, Jenny. “Politics and the Personal Lyric in the Poetry of Joy Harjo and
C. D. Wright.” MEL US 19.2 (1994): 35-56.
Green, Michael D. The Creek. Philadelphia: Chelsea House Publishers, 1991.
Harjo, Joy. ----- . The Last Song: Poems. Las Cruces, NM: Puerto Del Sol, 1975.
----- . She Had Some Horses. New York: Thunder’s Mouth Press, 1983.
----- . Secrets From the Center of the World. Tucson: Sun Tracks: University of
Arizona Press, 1989. Sun Tracks series, v. 17.
----- . [videorecording]. Los Angeles, CA: The Foundation, 1989. Lannan Literary Series, no. 11. The Power of the Word [videorecording]. with Bill Moyers. Alexandria, VA: PBS Video, 1989.
----- . In Mad Love and War. Middleton, CT: Wesleyan University Press, 1990.
----- . The Woman Who Fell From the Sky: Poems. New York: W.W. Norton, 1994. ----- .She Had Some Horses, 2nd ed. New York: Thunder’s Mouth Press, 1997.
----- . Reinventing the Enemy's Language: Contemporary Native Women's Writing of
North America. (editor with Gloria Bird). New York: W.W. Norton & Company, 1997.
----- . How We Became Human. New York: W.W. Norton, 2002.
Haseltine, Patricia. “The Voices of Gerald Vizenor: Survival through Transformation.”
American Indian Quarterly 9.1 (Winter 1983): 31.
----- . “Reading Joy Harjo’s ‘Mapping’ of Emergence: Re-visioning Collective
Experience.” The Eleventh Conference of the R.O.C. English and American Literature Association Conference. Kaohsiung National University. March 12, 2004.
----- . “Becoming Bear: Transposing the Alien in Works by N. Scott Momaday and
Joy Harjo.” The Twelfth Conference of the R..O.C. English and American Literature Association. Hsin-chu, Dec. 4, 2004.
Haslam, G. W. Forgotten Pages of American Literature. Boston: Houghton Mifflin,
1970.
Hertzberg, Hazel. The Search for an American Indian Identity, Modern Pan-Indian Movements. Syracuse: University of Syracuse Press, 1971.
Hogan, Linda. Woman Who Watches Over the World: A Native Memoir. New York: W.W. Norton & Company, 2001.
Holmes, Kristine. “’This Woman Can Cross Any Line’: Feminist Tricksters in the
Works of Nora Naranjo-Morse and Joy Harjo.” Studies in American Indian
Literatures 7.1 (1995): 45-63.
Horvath, Brooke. “The Prose Poem and the Secret Life of Poetry.” The American Poetry Review, September-October 1992.
Jahner, Elaine. “Trickster Discourse: Comic and Tragic Themes in Native American
Literature.” In “Buried Roots and Indestructible Seeds”: The Survival of American Indian Life in Story, History, and Spirit, edited by Mark Lindquist and Martin Zanger, 33-41. New edition, 67-83. Madison: Wisconsin Humanities Council, 1993.
Jaskoski, Helen. “A MELUS Interview: Joy Harjo.” MELUS 16.1: 5.14.
Johnson, Robert. “Inspired lines.” American Indian Quarterly 23.3/4 (1999): 13-23.
Kallet, Marilyn. Rev. of In Mad Love and War, by Joy Harjo. American Book Review 13.1 (1991): 10-11.
Kittredge, William. “The Snow Never Falls Forever,” Harper’s, Nov. 1972.
Kroeber, Karl. “1492-1992: American Indian Persistence and Resurgence.” Boundary
2 19.3 (Fall 1992): 231.
Krupat, Arnold. The Voice in the Margin: Native American Literature and the Canon.
Berkeley: University of California Press, 1989.
Lang, Nancy. “’Twin Gods Bending Over’: Joy Harjo and Poetic Memory.” MELUS
18.3 (1993):41-49.
Lanier, Sidney. Music and Poetry: Essays upon Some Aspects and Inter-Relations of
the Two Arts. New York: Greenwood Press, 1969.
LaRocque, Emma. “Preface: Here Are Our Voices- Who Will Hear?” In Writing the
Circle: Native Women of Western Canada, xx-xxi. Edmonton, Alberta: NeWest,
1990.
Leen, Mary. “An art of saying.” American Indian Quarterly 19.1 (1995): 1.
Lincoln, Kenneth. Indi'n Humor: Bicultural Play in Native America. New York:
Oxford University Press, 1993.
----- . “Native American Literatures: old like hills, like stars.” Three American
Literatures: Essays in Chicano, Native American, and Asian-American Literature for Teachers of American Literature. Ed. Houston A. Baker, Jr. NY: MLA, 1982. 80-168.
----- . Native American Renaissance. Berkeley and Los Angeles: University of
California Press, 1983.
Luna, Christopher. “Harjo, Joy.” Current Biography 62.8 (2001): 50-55.
Maddox, Lucy. Removal. Nineteenth-Century American Literature and the Politics
of Indian Affairs. New York: Oxford University Press, 1991.
Martin, Calvin, ed. The American Indian and the Problem of History. New York:
Oxford UP, 1987.
Momaday, N. Scott. House Made of Dawn. New York: Signet/New American Library,
1966.
----- . “The Man Made of Words.” In Indian Voices: The First Convocation of
American Indian Scholars, 55. San Francisco: Indian Historian Press, 1970.
----- . “Native American Attitudes to the Environment.” In Seeing with a Native Eye,
edited by Walter Holden Capps, 79-85. New York: Harper and Row, 1976.
Moss, Maria. We’ve Been Here Before: Women in Creation Myths and Contemporary
Literature of the Native American Southwest. Hamburg, Germany. Lit. Munster Press. 1993
Nabokov, Peter. “Present Memories, Past History.” The American Indian and the
Problem of History. Ed. Calvin Martin. New York: Oxford UP, 1987. 144-55.
Ortiz, Alfonso. “Indian/White Relations: A View from the Other Side of the ‘Frontier.’
In Indians in American History: An Introduction, edited by Frederick E. Hoxie, 1-16. Arlington Heights, III.: Harlan Davidson, 1988.
Ortiz, Simon. “Fight Back: For the Sake of the People, for the Sake of the Land.”
INAD Journal (University of New Mexico) 1.1 (1980).
Owen, Louis. “Acts of Recovery: The American Indian Novel in the 80’s.” Western
American Literature 22.1 (1987): 53-57.
----- . “Mixedblood Metaphors: Identity in Contemporary Native American Fiction.”
Program for Faculty Renewal Workshop on American Indian Identity, Santa Fe, N.M. February, 1992.
----- . Other Destinies: Understanding the American Indian Novel. Norman:
University of Oklahoma Press, 1992.
Perloff, Marjorie. Introduction. Poetic License: Essays on Modernist and Postmodernist Lyric. Evanston, IL: Northwestern U P, 1990:18-25.
Radin, Paul. The Trickster: A Study in American Indian Mythology. New York: Schocken Books, 1972.
Rector, Liam. “Repetition.” The American Poetry Review. Philadelphia, May/June 2002.
Ruoff, A. Lavonne Brown. American Indian Literatures: An Introduction, Bibliographic Review, and Selected Bibliography. New York: MLA of American, 1990.
----- . “American Indian Literatures: Introduction and Bibliography.” American Studies International 24.2 (1986):2-52.
----- . “Old Traditions and New Forms.” In Studies in American Indian Literature: Critical Essays and Course Designs, edited by Paula Gunn Allen, 147-68. New York: MLA Press, 1983.
----- . “The Survival of Tradition: American Indian Oral and written Narratives”. Massachusetts Rreview 27 (1986): 274-93.
Scarry, John . “Representing Real Worlds: The Evolving Poetry of Joy Harjo.” World Literature Today. Spring 92, 66:2.
Silva, Kalena. “Hawaiian Mele Kahea: Written Examples Revitalize Oral Tradition.”
Melus 16.1 (1989): 15.
Smith, Stephanie Izarek. “Joy Harjo: An Interview by Stephanie Izarek Smith.” Poets & Writers Magazine July-Aug. 1993:22-27.
Snyder, Gary. Turtle Island. Boston: Shambhala, 1993.
Sollors, Werner. Beyond Ethnicity: Consent and Descent in American Literature.
Oxford University. 1986.
Sorken, Alan. The Urban American Indian. Lexington: Lexington Books, 1978.
Standiford, Lester A. “Worlds Made of Dawn: Characteristic Image and Incident in
Velie, Alan. Four American Indian Literary Masters: N. Scott Momaday, James welch, Leslie Marmon Silko, and Gerald Vizenor. Norman: University of Oklahoma Press, 1982.
Steiner, Stan. The New Indians. New York: Delta Books, 1968.
Ullman, Leslie. “Solitaries and Storytellers, Magicians and Pagans: five Poets in the
World.” The Kenyon Review 12 (spring 1991): 179-93.
Vizenor, Gerald, ed. Postmodern Discourse on Native American Indian Literature. Norman: U of Oklahoma P, 1993. 55-68.,
---- . Ed. Postindian Conversation. University of Nebraska Press, 1999.
West, Kathleene. Review of In Mad Love and War. Prairie Schooner 66 (summer 1992): 128-30.
Wiget, Andrew. “Nightriding with Noni Daylight: The Many Horse Songs of Joy
Harjo.” Native American Literatures 1 (1989), 185-96.
Winn, James Anderson. Unsuspected Eloquence: A History of the Relations between
Poetry and Music. New Haven: Yale University Press, 1981.