本論文以筆者的研究動機與木笛的歷史背景挑選本場音樂會之曲目，隨後藉由本場音樂會的曲目深入研討在各個時期與國家之下木笛音樂的發展以及樂曲的詮釋風格，最後透過搜集與歸整木笛音樂發展極興盛的三個時期之相關文獻資料，包含文藝復興時期、巴洛克時期以及二十世紀三個時期的音樂風格特徵，以建構正確的背景概念。除此之外，本論文也將本場音樂會之曲目的創作手法與樂曲結構逐一分析和釐清，並根據前述所提供的背景概念來說明筆者該如何同時呈現該時期的風格思維以及具有個人風格特色之演奏詮釋方法。
本論文共分為四個章節。第一章為緒論：於本章將說明筆者之研究動機與背景，接續提出本論文之研究目的與問題以及研究範圍與限制，本章最後為本論文之研究方法與程序。第二章為文獻探討：將搜集並統整木笛於不同時期與國家之音樂風格與演奏詮釋，本章共包含文藝復興時期木笛作品特點、巴洛克時期風格特徵與英國木笛音樂特色，以及二十世紀木笛樂曲風格特色與特殊演奏技法的表現方法共三個節次。第三章為曲目分析與樂曲詮釋：本章有十個節次，共分析十首作品，每個節次皆包含該樂曲之作曲家介紹、作品分析以及曲目詮釋方法。內容分別為：馮塔納：第二號D大調奏鳴曲、羅格洛尼：〈Vestiva i colli〉牧歌減值變奏曲、坎皮斯：第一號器樂曲、奧爾蒂斯：第二號G大調主題模仿曲、多沃思：清晰發音者第一號、瓦倫丁：降B大調協奏曲、維拉西尼：編號一第一號g小調奏鳴曲、威廉姆斯：d小調奏鳴曲、克羅夫特：G大調奏鳴曲以及普塞爾：F大調奏鳴曲。第四章則為結語：本章將總結本論文所研究之本場音樂會曲目與其相關主題以立下結論，並提出建議給予欲研究與本論文相關主題之研究者。

The study first selected the pieces of music for the concert based on the author’s research motivation and the historical background of the recorder. Secondly, it deeply probed into the development of recorder music and the styles of the music in each era and nation by the pieces of music at the concert. Last but not the least, the author collected and organized documents and information regarding music styles and features in the three eras, including the Renaissance, the Baroque period, and the 20th century when the development of recorder music flourished to construct a correct background and concept. Moreover, the study analyzed and clarified the creation methods of pieces of music and the structures of the music at the concert. Based on the aforementioned background and concept, it illustrated how the author simultaneously presented the styles and thoughts of a certain period, and performing methods with personal styles.
The study has been divided into four chapters. The first chapter is the introduction. It stated the research motivation and background of the author, being followed by the research objectives and questions of the study, as well as its research scope and limits. The research methods and procedure of the study were expounded at the end of the chapter. The second chapter is the literature review. It collected and organized the music styles and performing features of the recorder in different eras and nations. The three sections of the chapter covered the features of recorder works in the Renaissance, the styles and features of the musical instrument and the features of recorder music in England in the Baroque period, and the styles and features of recorder music and special performing skills in the 20th century. The third chapter analyzed the pieces of music and interpreted the music. Ten pieces of musical works were each analyzed in the ten sections of the chapter. Each section included the introduction of the music composer, the analysis of their works, and the interpretation method of the music. The ten musical works are as follows: Sonata No.2 in D major by G. B. Fontana, Vestiva i colli after Palestrina by F. Rognoni, Symphonia Prima by N. a Kampis, Ricercata seconda in G major by D. Ortiz, Articulator I by A. Dorwarth, Concerto in Bb major by R. Valentine, Sonata No.1 in g minor, Op.1 by F. M. Veracini, Sonata in d minor by W. Williams, Sonata in G major by W. Croft, and Sonata in F major by D. Purcell. The fourth chapter is the conclusion, and it concluded the pieces of music at the concert and other relevant topics that the study probed into. Additionally, it proposed suggestions for researchers who intend to research into topics related to the study.

一、專書
張己任（1983）。《西洋音樂風格的演變－中古至文藝復興》。臺北市：臺灣商務。
曾毓芬（2003）。《古典音樂賞析：從中世紀到巴洛克時期古典音樂風格探微》。新北市：啟英文化。
楊沛仁（2001）。《音樂史與欣賞》。台北市：美樂。
劉志明（2002）。《巴洛克時代音樂史》。台北市：全音。
蔡曄琳（2005）。《木笛小百科》。台北市：世界文物。
Linde, Hans-Martin著，筱梅譯（1995）。《木笛吹奏者手冊》。台北市：世界文物。
Wollitz, Kenneth著，鄭世文譯（1993）。《木笛實用手冊》。台北市：世界文物。

二、期刊論文
尹浩杰（2012）。〈復古風格演奏對當今西方器樂教學的指示〉。《人民音樂》。5（21），頁68－69。
張磊（2011）。〈復古風格演奏探析〉。《大眾文藝》。17（1），頁1－1。
Keys, A. C. (1972). “Symphony: What Does It Mean?”. The Musical Quarterly (Vol. 58, No. 2, pp. 235-241). Retrieved from https://www.jstor.org/.
Liggett, Robin S. (1978). “Historic Baroque Performance Styles: England, France, Italy, Germany”. Music Teachers National Association (Vol. 27, No. 4, pp. 17-19). Retrieved from https://www.jstor.org/.

三、學位論文
郭晉嘉（2021）。郭晉嘉畢業音樂會暨樂曲詮釋報告。國立清華大學音樂學系研究所碩士論文。

四、網路資料庫
十六、十七世紀器樂裝飾奏之演奏詮釋。〈樂思樂語〉2017曉韵巴洛克秋冬講座課程簡介（無日期）。取自https://barockensembletaipei.kktix.cc/events/2017-fall-winter
里切卡爾。國家教育研究院雙語詞彙、學術名詞暨辭書資訊網。取自https://terms.naer.edu.tw/detail/3244294/
減值變奏。國家教育研究院雙語詞彙、學術名詞暨辭書資訊網。取自https://terms.naer.edu.tw/detail/3247592/?index=8
短歌。國家教育研究院雙語詞彙、學術名詞暨辭書資訊網。取自https://terms.naer.edu.tw/detail/3247333/
華彩變奏。國家教育研究院雙語詞彙、學術名詞暨辭書資訊網。取自https://terms.naer.edu.tw/detail/3247606/
Dunn, Thomas D. (2001). “Fontana, Giovanni Battista”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.09948
Ferrard, Jean (2001). “A Kempis, Nicolaus”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/omo/9781561592630.013.90000380226
Gifford, Gerald & Best, Terence (2001). “Babell, William”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.01648
Hill, John Walter (2001). “Veracini, Francesco Maria”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.29178
Holman, Peter (2001). “Williams, William”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.30357
Humphreys, Mark (2001). “Purcell, Daniel”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.6002278245
Johnson, David (2001). “Barsanti, Francesco”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.02129
Lasocki, David (2001). “Woodcock, Robert”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.30548
Lattes, Sergio (2001). “Rognoni family”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.23686
Medforth, Martin (2001). “Valentine, Robert”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.44256
Shaw, Watkins (2001). “Croft, William”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.06853
Skempton, Alec & Robinson, Lucy (2001). “Loeillet family”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.16864
Stevenson, Robert (2001). “Ortiz, Diego”. Grove Music Online. From https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.20508