研究生: |
莊舒堯 Chuang, Shu-Yao |
---|---|
論文名稱: |
論高第建築中 「裝飾元素」及「整體規劃」之自然意涵 On the Connotations of Nature in the Decorative Elements and the Overall Plans of Antoni Gaudi's Architecture |
指導教授: |
張琳
Chang, Lin |
口試委員: |
高榮禧
KAO, JUNG-HSI 凌天 LING, TIEN |
學位類別: |
碩士 Master |
系所名稱: |
藝術學院 - 藝術與設計學系所 Master Program of Arts Education and Creation, Arts and Design Department |
論文出版年: | 2024 |
畢業學年度: | 112 |
語文別: | 中文 |
論文頁數: | 71 |
中文關鍵詞: | 安東尼高第 、加泰隆尼亞現代主義 、新藝術運動 、裝飾元素 、整體規劃 |
外文關鍵詞: | Antoni Gaudi, Modernisme, Art Nouveau, Decorate Elements, Overall Plans |
相關次數: | 點閱:2 下載:0 |
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十九世紀工業化產品大量生產,出現在大眾的生活之中。一股復興手工業的聲浪出現,藝術家與建築師開始追求具有美感且特殊的工藝品。這股藝術風潮在歐洲各個國家出現,其中在西班牙稱為加泰隆尼亞現代藝術主義。安東尼‧高第是加泰隆尼亞現代藝術主義的其中一位建築師,他所設計的建築多使用自然界中的裝飾元素,其裝飾元素都跟高第的生活經驗有關。
本研究將以文獻分析、地理實察法以及風格分析法,探究高第建築中的「裝飾元素」以及「整體規劃」。高第非常注重建築物的光及通風,也認為裝飾需要依委託者的背景設計。並且建築的視覺整體性,也會影響建築物的觀看感受。本文將探究高第六個在巴塞隆納市區的世界文化遺產,並分析中文與外文文獻,探討高第建築中的整體觀點。
In the 19th century, mass production of industrialized products became prevalent and integrated into the lives of the public. A wave of revival for handmade craftsmanship emerged, as artists and architects sought aesthetically pleasing and unique artisanal creations. This artistic trend appeared across various European countries, known in Spain as Catalan Modernisme. Antoni Gaudí was one of the architects associated with Catalan Modernisme, and many of his designed buildings featured decorative elements inspired by nature, reflecting Gaudí's life experiences.
This study employs literature analysis, on-site observation, and stylistic analysis to explore the "decorative elements" and "overall planning" in Gaudí's architecture. Gaudí placed significant emphasis on light and ventilation in buildings, believing that decoration should be tailored to the client's background. Additionally, he acknowledged that the visual coherence of a building would impact the viewer's perception. The paper delves into the investigation of Gaudí's sixth UNESCO World Heritage Site in the city center of Barcelona, utilizing both Chinese and foreign literature to analyze the overall perspective within Gaudí's architectural designs.
中文書籍:
Caruncho, Daniel R.著,徐揚譯,《安東尼高迪傳記圖冊》(巴塞隆納:Dos de arte ediciones),2016
Caruncho, Daniel R.著,徐揚譯,《現代主義—一個獨特藝術運動的魅惑和美麗》(巴塞隆納:Dos de arte ediciones),2017
Mollie Claypool著,李之年譯,《This is高第》(台北:天培文化),2021
Philippe Thiebaut著,陳麗卿譯,《高第:創造幻象的建築師人》(台北市:時報文化),2002
Regás, Ricard著,周彥慧,《安東尼高迪作品全集視覺導覽》(巴塞隆納:Dos de arte ediciones),2012
王儷瑾著,《巴塞隆納不只高第》(新北市:奇光出版),2018
王俊,《西班牙:激情中的輝煌歷史》(千華駐科技:台北),2023
心安工作室編,《設計的勝利:新藝術運動》(上海:上海科學技術文獻出版),2019
方真真、方淑如著,《西班牙史:首開殖民美洲的國家》(台北:三民書局),2003
史玲、高火、李孟軍著,《伊斯蘭藝術》(北京:河北教育出版),2003
安德莉雅‧希米奇(Andrea Simitch)、瓦爾‧渥克(Val Warke)著,吳莉君譯,《建築的語言》(台北:原點出版),2015
朱柔若譯,Neuman, W. Lawrence著,《社會研究方法 : 質化與量化取向》 (台北市:揚智文化),2000
池上俊一著,李喬智譯,《熱血西班牙》(新北:世潮出版),2020
李明薇,《高第建築的文化詮釋》,台北:淡江大學西班牙語文學系碩士論文,2008
約翰‧巴賽戈達‧諾內爾著,徐芬蘭譯,《解讀高第建築的奧秘》(台北:藝術家出版),2006
段昌國著,《十九、二十世紀歐洲史》(台北:國立空中大學),2010
徐芬蘭著,《上帝的建築師:高第誕生165週年大展》(台北:典藏出版),2017
國立歷史博物館編,《高第在台北 高第建築藝術展》,國立台灣歷史博物館,(台北:國立歷史博物館),1998
張詠欣,《高第建築藝術的裝飾風格運用於兒童繪本創作之研究》,桃園:銘傳大學商業設計學系碩士論文,2010
陳渝涵,《論多重觀光凝視—以高第聖家堂為例》,台北:國立臺灣師範大學歐洲 文化與觀光研究所碩士論文,2020
喬治‧法利著,徐芬蘭譯,《高第聖家堂導覽》(台北:藝術家),2003
蓋瑞‧麥克多諾、塞吉‧馬丁尼茲—瑞戈著,何玉方譯,《巴塞隆納兩千年:跟著 城市地理專家循著歷史與遺跡,深讀加泰隆尼亞的美麗與哀愁》(台北:日出出版),2020
趙前著,《21世紀視野下的新藝術建筑與設計--新藝術運動歷史解析》(北京:中國建築工業出版),2012
賴訥‧策柏斯特著,Lin, Shu-Yan譯,《安東尼高第》(德國科隆:塔森出版),1999
韓瑞屈‧沃夫林著,曾雅雲譯,《藝術史的原則》(台北市:雄獅出版),1987
露德斯、維多莉亞‧西羅特著,周敏康譯,《高迪建築設計作品欣賞》(巴塞隆納:特朗格勒畫冊出版),2018
外文書籍:
Boada, Isidre Puig. El pensamiento de Gaudi (Barcelona: Duxeditorial ), 2015
Codinachs, Marciá. Manuscritos, Artículos, Conversaciones y Dibujos (Murcia: Colegio Oficial de Aparejadores y Arquitectos Técnicos de Murcia), 2002
Lahuerta, Juan José, Antoni Gaudí Ornament, Fire and Ashes (Barcelona: Tenov), 2016
Martinell, César, Gaudí: His Theories, His Work (Barcelona: Colegio Oficial de Arquitectos de Cataluña y Baleares), 1975
Mercader, Laura. Antoni Gaudí Escrito y Documentos (Baecelona: Quaderns Crema S.A.), 2002
Saudi, Antoni. Gaudi 2002 Miscelanea (Barcelona: Barcelona Ayuntamiento), 2002
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