摘 要

人生存在的意義及目的，一直以來是我困惑及感興趣的課題，人們每天忙忙碌碌，汲汲營營，最終所求為何？最後所得為何？有人過了一輩子只為一家幾口每天都吃飽，有人用了一輩子只為填滿無底的慾望，永遠受慾望的繩索所束縛；這些感悟是筆者對於人生核心價值的疑惑；雖然「人生」這偉大而難解的課題，經過幾百年來學者的爭論，至今尚沒有標準答案，卻也一直是我倍感興趣的主題。
本文旨在探討「人生」、「束縛」與「壓力」間關連的繪畫創作研究，試從探討中西哲學思想及宗教義理的人生觀、生命觀，結合筆者內心思維，透過畫面結構的安排、形體色彩氛圍的佈置，以具象及抽象形式表現身、心、靈受綑綁束縛，無法宣洩的壓力氛圍，進而能深深體悟「束縛」與「壓力」的心靈意涵。
本論文共分為五章。重點概述如下：第一章為緒論，分別為研究動機與目地、研究方法與範圍及限制、名詞釋義等，分析闡述本創作研究「縛」的重點與預期達成之目標。第二章為學理基礎的探究：針對東西方哲學與宗教義理中的有關人生哲學的課題，在文獻學理上的論述與發展背景加以分析討論。第三章是創作理念與實踐：藉由探討人生中的束縛，轉化為創作特質與形式美感，經由創作理念的闡述分析，結合個人的繪畫經驗及媒材的試驗與技法的提升，將研究主題「縛」的意象於創作上實踐。第四章則為創作作品詮釋：將筆者研究期間之作品，分別從創作內容的說明、表現形式及材料技法的運用加以分析，希望給予觀者對作品進一步的瞭解與共鳴。第五章則為筆者對於本創作研究之心得與結論，以及後續創作方向之期望與省思

Abstract
The meaning and purpose of the existence of life are issues which have puzzled me for a long time, and therefore, made me interested in figuring out the answers. What exactly are we chasing after while we are so busy living our lives? What do we get at the end of our lives？
Some people are so busy spending their entire time just in order to feed their families. On the other hand, some people spend their entire lives justin order to pursue their endless pleasures and even lust, a vicious cycle which binds them to the constraints of lust. These are puzzles which I am concerned about which relate to the core values of our lives. I have been very interested in the topic of “life” although the issue of “life” is solemn and appears difficult to solve. In addition, it has not yet had any widely accepted answers although scholars have been arguing about it for hundreds of years.

This research which is creative drawings aimed at exploring the connection
among “life”, “constraint”, and “pressure”. The author tried to explore both eastern and western philosophical thinking, the religious views of life and life view, also combined with the author’s own thinking. Then also through the arrangement of the structures and settings of the objects’ colors in paintings, the author used paintings to visually express the inner pressure which cannot be released, and the constraints of our bodies, mind, and soul. The author hopes that the paintings can help the inner meanings of “constraints” and “pressure” be realized.

This thesis has five chapters. The key points of each chapter are
summarized as followings. First chapter is introduction. It includes motivation, aim, methods, and limitation of this research. It also includes explanations of words, descriptions of the important points and target which is expected to achieve in this thesis. Second chapter is a study of theoretical background. Focusing on the topics of life philosophy in religions, and eastern and western philosophy, this chapter reveals some analysis and discussions about these topics from literature and development background. Chapter three displays concepts and accomplishment of this research’s works. Through the exploration of constraints in our lives, the author transferred the constraints into characteristics and sense of beauty of works for this research. The author materialized the image of the research’s topic “constraints” into the works. The materializing process was made through the analysis of the author’s creation idea, the author’s personal painting experience, the trials of the painting material, and upgrade of the painting skills. Chapter four is the explanation of the works created for this research. The author explains the contents of the works, and analyzes the ways how the works express and how the painting material was used. The author hopes that these explanation and analysis will help the readers have a further understanding and inspire the readers to share the same feeling of the works. Chapter five is the conclusion and author’s insight of the research, also the expectation for future research directions.

參考資料
一、 中文書目
海德格爾，《存在與時間》，北京，生活、讀書、新知三聯書店，1987，P.271~P273
夏雨人，《人生哲學》，臺北縣：私立新埔工業專科學校，1979 年
牟宗三，（中國哲學的特質），台北：台灣學生書局，1990年
牟宗三，《中國哲學十九講》，台北：台灣學生書局，2002 年
王弼注《老子道德經》，台北：文史哲出版社，1997 年10 月
呂秀姮，《莊子》人生哲學之現代運用，國立中山大學中國文學系碩士在職專班碩士論文，2005年6月
凌嵩郎，《藝術概論》，台北市：全冠彩色印刷有限公司，1986年
托爾斯泰 著 耿濟之 譯，《藝術論》，台北縣：遠流出版事業股份有限公司，1992
劉其偉著，《現代繪畫理論》，台北市：雄獅圖書股份有限公司，1975
何恭上著，《近代西洋繪畫》，台北市：藝術圖書公司，1996
赫柏特‧里德 著 王柯平 譯 ，《藝術的真諦》，北京：中國人民大學出版社，2004
朱孟庠 著，《心靈畫語》，台北市，典藏藝術家庭股份有限公司，2006
王令中，《視覺藝術心理》，北京：人民美術出版社，2005

二、參考網站
http://www.chungcheng.org.tw/thought/class05/0003/0007.htm 100.8.10
教育部全球資訊網 http://www.edu.tw/e_dictionary.aspx 100.6.25
國立台灣大學圖書館 http://cvweb.lib.ntu.edu.tw/guide/mcs/intro.htm 100.6
維基百科http://zh.wikipedia.org/zh-tw/%E5%85%AD%E6%A0%B9 100.6.25
http://zh.wikipedia.org/zh-hk/%E5%BE%B7%E5%9B%BD%E5%94%AF%E5%BF%83%E4%B8%BB%E4%B9%89 100.6.25
http://www.gmw.cn/01gmrb/2007-05/22/content_610433.htm 100.12.10
http://dolphinwing.pixnet.net/blog/post/27731041 100.6.25
http://tw.knowledge.yahoo.com/question/question?qid=1507062305956 100.12.10
國家文化資料庫http://newnrch.digital.ntu.edu.tw/prototype/query.php?keyword=%E9%83%AD%E7%B6%AD%E5%9C%8B&advanced=# 100.12.10