摘 要

窗外──邱掇創作論述

「鐵窗」是我在研究所期間主要的表現主題，當中隱藏了我不安、受壓抑的情緒，是曾經在研究所期間無所適從的心情。一開始我以絕緣膠帶當作主要創作媒材，分為平面的創作以及存在於空間黏貼的作品，希冀以膠帶的特性把我部分的情緒融入其中；之後則轉向在畫布上為主的創作。畫面當中，一開始複雜凌亂的線條，逐漸趨於簡單，不停的創作使心境得到平復的空間，窗子上面的鐵窗形象漸漸抽離，表現出渴望自由卻慢慢安定的心。
第一章中，主要描述我毫無頭緒的心情，以及當初實習結束進入研究所那段不之所措的時間，並試著以具體的膠帶媒材轉化我當時抽象的情緒。在嘗試幾件實驗性的作品之後，第二章主要說明如何聚焦於鐵窗的過程，以及試著以結構主義與解構主義闡釋鐵窗的結構，此章也提及美國藝術家法蘭克‧史帖拉作品裡的結構與解構輔佐說明，同時講述空間之中以絕緣膠帶黏貼的作品，細說以膠帶模擬的鐵窗代表被壓抑的心，以及在「空間平面化」的過程與結果中帶給我的安全感。第三章從作品中的形式與內容兩個部份做分析，形式方面分為構圖開始把背景與鐵窗拉至同一個平面，與使用自動性技的繪畫技法；內容方面以窗內、窗外兩個不同的場域，不同的視點加以描述，最後並總結自出我創作時的心得感想。第四章結尾則期許自己能保有不間斷的毅力與熱情，而且持續創作下去。
研究所期間學到了許多寶貴的事情，也漸漸釐清自己所要的東西。

Abstract

The writing and art work in "The stainless steel window" documented my anxiety, depressed mood, and the feeling of lost, things haunted me during the graduate study. Insulating tape was used as the media to express my life and living condition and presented as paintings and installations. Through the process, the concept of stainless steel window was presented to express my emotion and transferred into re-organized images. My ambiguous thirst for freedom as well as stability therefore found a shelter. The endless lines were either simplified or complicated as a new world that began to open my eyes in the making of art works.

In the writing of the first chapter, I’ve described my confusion of the period from the end of internship in the elementary school and the beginning of the graduate study. I tried to express this confused situation through the insulating tapes. Through a few experiments, I focused on the subject of “The Stainless steel window” in the second chapter. I explain the structure of stainless steel window by the concept of structuralism and deconstruction. In this chapter, I referred to the artistic works that is painted by Frank Stella and explicates its structure and deconstruction. I also documented this series of works executed by the insulating tape, to elaborate on the analog of the stainless steel window. In Chapter three, I described the form and the concept of the series of works. The form of works was the combination of the front substance and background. The use of automatic techniques of the painting was presented as outside and inside of the window that divided the contents into different layers, as well as different points of views to describe the meaning of my works. Finally, in the last chapter, I documented perseverance and passion of my artwork from the period of this study.

During this study, I’ve learned the methodology to clarify my need through the making of art.

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