在我的論文中，我仔細檢視金的《鬼店》可以揭示其與愛倫·坡的哥特式短篇小說（如《紅死病的面具》和《告密者》）之間的顯著聯繫。的確，有學者聲稱，坡和金在撰寫哥特式故事時，都受到了莎士比亞的影響。進一步的研究還可能揭示《鬼店》中的瞭望飯店如何成為包含多種坡式元素的綜合體，並且主角反映了坡和金本人生活中的自傳性參考。我的研究則著重於這些討論中的另一個方面，即坡大量使用城堡和鬧鬼房屋，如何成為金突顯幽閉恐懼感和焦慮的主要靈感來源。這尤其體現在《鬼店》中，主角在飯店壓迫性的環境中反覆重演的心理障礙。對我來說，坡的短篇小說在金的作品中形成了一個隱約的參考。最後，我將利用弗洛伊德的“詭異感”與“強迫性重複”的概念，探討坡的哥特式建築如何轉化為金的飯店。我將仔細闡明金如何戲仿坡的哥特式想像，最終為哥特式文學與恐怖小說的研究做出貢獻。

In my thesis, I argue that careful examinations of King’s The Shining reveal a significant link between Poe’s gothic short stories, such as “Masque of the Red Death” and “The Tell-Tale Heart”, and King’s The Shining. Indeed, scholars have claimed that for example, Poe and King both share Shakespearean influence in their writing of Gothic stories. And further examination might also provide insight into how the Overlook Hotel in The Shining can be a composite consisting of various Poesque references, and that the protagonist is a reflection of autobiographical references to specific aspects of the lives of Poe and King themselves. My research then focuses on another aspect of these discussions, namely, how Poe’s extensive use of castles and haunted houses has become major inspiration for King to highlight feelings and anxieties of claustrophobia. This can be especially seen in The Shining in the repeated re-enactment of the protagonist’s psychological disorders in the hotel’s oppressive environment. For me, Poe's short tales thus serve as a looming reference within King’s fictions. Finally, using Freud’s idea of the uncanny and compulsive repetitions, I want to look into how Poe’s gothic buildings transform into King’s hotel. I will carefully illustrate King’s parodic use of Poe’s gothic imagination and contribute eventually to the study of the genre of the Gothic and the horrors.

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