研究生: |
許采齡 Tsai-ling Hsu |
---|---|
論文名稱: |
綏夫特時代「食人」的描述 The Figuring of Cannibalism in Swift’s Time |
指導教授: |
廖炳惠
Ping-hui Liao |
口試委員: | |
學位類別: |
碩士 Master |
系所名稱: |
人文社會學院 - 外國語文學系 Foreign Languages and Literature |
論文出版年: | 2005 |
畢業學年度: | 93 |
語文別: | 英文 |
論文頁數: | 86 |
中文關鍵詞: | 綏夫特 、食人主義 、歷史論述 、狄福 、薩瑪納札 、汴恩 |
外文關鍵詞: | Jonathan Swift, cannibalism, historical discourse, Daniel Defoe, George Psalmanazar, Aphra BEhn |
相關次數: | 點閱:1 下載:0 |
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摘要
本論文旨在探討綏夫特(Jonathan Swift)的兩部作品:《格理弗遊記》(Gulliver’s Travels)和《野人芻議》(A Modest Proposal)中「食人」(cannibalism)的意象。 綏夫特對於「食人」概念的運用反映出他不只延續了1492年哥倫布(Christopher Columbus)在發現美洲新大陸時,對食人族的描述及命名;以及十六世紀蒙恬(Michel de Montaigne)在〈論食人族〉(“Of Cannibals”)中從食人族的野蠻行為裡,自我反省,進而批判國人更加殘酷的種種作為,這兩條關於「食人」論述的傳統;更從與他同一時代的文學作品中,獲得靈感,並藉此批評當代作品中對於異者的刻板印象及論述,闡發並加深「食人」意象的意義。這部論文將試圖探究以下幾個議題:「食人」意象在綏夫特時代和再現異者的關係、綏夫特和其同年代作品對於「食人」概念的不同,以及綏夫特在他的兩部作品中如何強化此意象。
在此論文的第二章,將會研究三部與綏夫特同時代作品中的「食人」意象:薩瑪納札(George Psalmanazar)的《福爾摩沙變形記》(An Historical and Geographical Description of Formosa) 、狄福(Daniel Defoe)的《魯賓遜漂流記》(Robinson Crusoe)及卞恩(Aphra Behn)的《高貴的奴隸》(Oroonoko)。這三部作品分別表現了三種當時典型對於異者及食人族的概念。薩瑪納札滿足當時歐洲人對於異國文化的好奇,利用食人族的描述增強了他身為虛構的福爾摩沙土著的可信度;而狄福則是遵循著當時一般歐洲人對食人族行徑的刻板印象,表現對於殖民及帝國主義的樂觀鼓勵態度;在另一方面,卞恩則是將「食人」的意象以暗喻的方式呈現在歐洲殖民者上,和雖為非洲土著,但是出身貴族,品德高尚的主角成為強烈對比。
在第三章中,重點將會放在綏夫特如何將這些不同的「食人」概念反映在《格理弗遊記》和《野人芻議》裡。「食人」的意象在這兩部作品中,形成一種特殊的「歷史論述」,不但批判了吃人者,也批評了被吃的人。
最後,本論文以綏夫特擴大了「食人」的現代意象,成為一種當代歷史論述作為結論,並說明「食人」的意象在述說異者時,扮演關鍵的角色。
Abstract
This thesis examines the figuration of cannibalism in Jonathan Swift’s Gulliver’s Travels (1726) and A Modest Proposal (1729) in relation to works in his time, including George Psalmanazar’s Description of Formosa (1704-1705), Daniel Defoe’s Robinson Crusoe (1719), and Aphra Behn’s Oroonoko (1689). The historical formation of cannibalism in Swift’s works illustrates that Swift may have not only been indebted to the long tradition of the figuration of cannibalism since Christopher Columbus and Michel de Montaigne but also owed much to the rhetorical concepts of cannibalism in the works of his contemporaries. This thesis highlights these issues in Swift’s works: How is the representation of cannibals significant in the construction of the other in his time? What are the differences between Swift’s and his contemporaries’ view on cannibals? How does Swift complicate and politicize this subject in Gulliver’s Travels and A Modest Proposal?
Hayden White’s idea of “historical discourse” will frame my exploration of the figuration of cannibalism in Swift’s works. The thesis would be divided into two major parts: Each probes cannibalism as a historical discourse under modern interpretation in relation to Swift and his contemporaries. I aim to clarify how Swift complicates and politicizes the cannibalistic figure in his works. The Introduction concentrates on the beginning of modern cannibalism since Columbus and Montaigne, investigating how the figures of cannibalism are applied to several uses. The tradition of the figures of man-eating can be traced back to Greek myth, Homer, and Herodotus’s Histories. The cannibalistic figures were presented either as an indication of deep hatred to an enemy or a sign of cultural difference. The practice of cannibalism was looked upon with no moral judgment. Modern concepts of cannibalism began in Columbus’s naming the Caribbean anthropophagi “cannibals.” The figuration of cannibalism has been turned into a form of a “historical discourse” since 1492 when Columbus famously categorized Amerindian savages as man-eating cannibals and associated the figures of cannibalism with an indication of extreme barbarity and a cultural trope that denotes a group of people who are in need of conversion and colonial civilization. Montaigne’s seminal essay “Of Cannibals” (1580) led cannibalism to another direction—that is, it functioned as a weapon for self-criticism, which spoke out the fact that the civilized Europeans could be much crueler than the cannibals. For Montainge, cannibals were still those naked savages, but Europeans might be worse than these people if they continued performing brutal acts.
Chapter Two focuses on the images of cannibals in works by Psalmanazar, Defoe, and Behn to figure out the general concepts of cannibalism in Swift’s age. Later in Swift’s time, the two main concepts of cannibalism from Columbus and Montaigne were applied in travel accounts and other literary works about the savage other. Psalmanazar’s Description of Formosa succeeded the tradition of the stereotypes of the exotic other, reinforcing his fake identity as a native Formosan by eating raw meat and telling sensational stories about the cannibalistic practice in Formosa. The images of cannibals in Defoe’s Robinson Crusoe are presented according to the stereotypes of the savage other at that time, which justify European domination and colonization. Behn’s Oroonoko, on the other hand, follows Montaigne’s tradition, criticizing Europeans’ brutality by comparing them with savages.
My main concern in Chapter Three is how Swift criticizes his contemporaries’ ideas of cannibalism in Gulliver’s Travels and A Modest Proposal. Basically, Swift agreed that Europeans were no better than the bloodthirsty cannibals, but his attitude toward the savage other was not sympathetic, either. The figuration of cannibalism in both Gulliver’s Travels and A Modest Proposal forms a particular historical discourse, under which both Europeans and the savage other victimize the other and are victimized by each other.
This thesis concludes that Swift’s idea of cannibalism broadens modern meanings of the cannibalistic figure.
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