摘要
本研究主要探討生活發生事件中，對人與社會所產生之影響，與筆者之自我心象的共鳴。將生活中人與人接觸、人與物接觸的觀察與感受；事件的發生、消長的過程，和由生活歷程中，所激起各種意識上的或潛意識的感受，運用「物件」與「符號」做為隱喻，與創作過程中筆者女性自我心靈意象的相結合，將生命歷程中所呈現各種情緒，如恐懼、悲傷、壓抑、焦急、憂慮、喜悅等等情知，透過抽象或具象的創作表現、將個人生活經歷內化與內在心靈思維心象結合，以形態、色彩、律動、線條等等方式，作為創作隱喻符號，藉由藝術創作，將自我觀感，投射移情，表現女性自我內在心靈，對生命歷程做一回顧與自省，並期望展開自我的藝術表現新風貌。
本創作論述以「新女性主義」、「超現實主義」、「抽象表現主義」等做為作品形式之學理基礎，在媒材部分筆者做多方嘗試，除以「水彩」、「油畫」、「壓克力顏料」等媒材呈現，並嘗試加上其他「複合媒材」等做新的嘗試，以空間抽象，將空間和物件錯置，傳達自我與潛意識的對白，色調的表現以冷色系、暖色系交錯之應用，間或以肌理呈現，著重心向空間的傳達。
本研究探究將筆者「內在思維」透過「隱喻」方式，探索個人內在心靈心象，及個人細微的、隱密的生命體驗。對於人與人之間相互的倚賴感，對生命的關懷，不斷的自我審視和反應，挖掘、探討與剖析，期許自我能由舊有的面貌抽離，提昇塑造明晰的自我面貌與內在的浮現。

關鍵字：自我、女性思維、花語、鏡觀、抽離

Abstract
The main focus of this study is on probing into the effect of events on people, society, and those of the events resonated with the author's mind-imagery inclusive of the observation and experience from people contact with others, people encounter some certain objects , events occurring then waxing and waning later,a great variety of conscious or unconscious feelings that are aroused by living courses. Using "objects"and "signs" as metaphors to link with the creative process of the author's female self-imageis is her intension.Her work presents each mood in life like fear,sad,constraining,anxious and joyful feelings through the expression of abstract or figurative creation combining the internalizied individual living with inner thought and mind-imagery using the elements of form, color, rhythm to be a metaphorical sign of creation. Because of those artistic creation,self-impression and projection transference displaying the feminine self-intrinsic mind,the author can make a review and expected that launches the self-art to display the new style.
This creativity on expounding is based on " New Feminism","Surr’ealisme" and "Abstract Expessionism",ete. as a theoretical basis. On the materials part, the author did lots of attempts on it. Dividing water color, oil painting,intermediary materials an on acrylic fabric presenting the attempts to add on the compound intermediary material and to make the new attempt which is abstracted by the space and subconscious dialogue..
This research conducts a study on author's inner thought, through a form of "metaphor", exploring personal inner soul and mind-imagery, and personal subtle, secretive experiences in life. To be extracted from the old selfhood and to advance a clearer appearance is what the author expects.

Keywords：Self ，Feminine thought，Flower vocabulary，View，Depart

參考文獻
ALFRED H.BARRJR著,李渝譯. (1989再版). 現代畫是什麼. 台北市: 雄獅圖書股份有限公司.
Murry stein著朱侃如譯. (2009). 心靈地圖. 台北縣: 立緒文化事業有限公司.
王端庭. (2008). 超前衛藝術. 北京市: 人民美術出版社.
安海姆. (1982). 視覺與藝術心理學. 台北市: 雄獅圖書公司.
西蒙.波娃著楊美惠譯. (1992). 第二性,第二卷. 台北市: 志文出版社.
何政廣. 歐美現代美術. 台北市: 藝術家出版社.
呂秀蓮. (1999). 新女性主義(四版). 台北市: 前衛出版社.
陳克強. (2003). 心理學隨身秘笈. 台北市: 五南圖書公司.
傑佛瑞.芮夫著廖世德譯. (2008). 榮格與鍊金術. 台北市: 人本自然出版社.
劉豐榮. (1997). 幼兒藝術表現模式之理論建構與其教育意涵之研究. 台北市: 文景出版社.
ALFRED H.BARRJR著,李渝譯. (1989再版). 現代畫是什麼. 台北市: 雄獅圖書股份有限公司.
Murry stein著朱侃如譯. (2009). 心靈地圖. 台北縣: 立緒文化事業有限公司.