速度下的克隆體：人工智慧生成影像的美學研究

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研究生：	吳柏瑤 Wu, Po-Yao
論文名稱：	速度下的克隆體：人工智慧生成影像的美學研究 The Clones under Speed: Aesthetic Research on A.I. Generated Images
指導教授：	邱誌勇 Chiu, Chih-Yung 陶亞倫 Tao, Ya-Lun
口試委員:	林欣怡 Lin, Hsin-I 蔡遵弘 Tsai, Tsun-Hung
學位類別：	碩士 Master
系所名稱：	教務處 - 跨院國際碩士學位學程 International Intercollegiate Master Program
論文出版年：	2021
畢業學年度：	109
語文別：	中文
論文頁數：	85
中文關鍵詞：	速度、共感狂熱、科技創傷、克隆體、監控資本主義
外文關鍵詞：	Speed, Community Fanaticism, Technological Trauma, The Clones, Surveillance Capitalism
相關次數：	點閱：3 下載：0
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當全人類迎接第五代移動通訊技術，外加摩爾定律後半場的硬體革新沒有減速的跡象，其科技進展不僅壓縮了時間與空間單位，更應證了保羅‧維希留(PaulVirilio)所預言的超速世界——「二十世紀最終不過是十九世紀諸重大災難的無限擴張與加速」。網際網路與物聯網帶動資料庫資料量以指數擴張，加乘了巨量演算法運算，我們正生存在持續運算與耗能的加速社會之中。「即時」已成為當代的現實:即時運算、即時預測、即時監控，無不是高速中央處理器與獨立顯示卡的計算與燃燒的電能所生之產物，當代人類無不處於「共感狂熱」與「科技創傷」的洪流之中。

2014年，IanGoodfellow等學者發表了論文《GenerativeAdversarialNets》，宣告了「生成對抗網絡」的誕生。透過參數的輸入，模型能在短時間內生成出無限有機且令人驚艷、造型千變萬化的影像。當影像的生成進入了控制論第三波的自我組織階段，人類在此已不再是「影像本身」的生產者，而是「影像製造機器」的訓練者。本論文將探討在如今科技速度霸權之下，影像試圖透過大數據被窮舉產生時，我們該以何種美學的角度視之?筆者以「克隆體」的名詞重新描述人工智慧生成影像，探討其是如何生成、如何演化且如何影響影像本質、觀者以及創作者。希冀能從美學語境之下重新探討人工智慧生成影像的意義與價值，最後透過作品實踐以回應此加速的科技與社會。

When the entire humankind welcomes the 5G mobile communication technology, the hardware innovation shows no signs of slowing down. The technological progress not only compresses time and space but also proves what Paul Virilio said about the speeding world. The Internet and the IoT drive the exponential expansion of database data, multiplied by a massive amount of algorithmic calculations, and we are living in an accelerating society of continuous computing and energy consumption. "Real-time" has become a contemporary reality. Contemporary human beings are all in the torrent of "community fanaticism" and "technological trauma" because of surveillance capitalism.

In 2014, Goodfellow invented the model, GAN, which can generate infinitely organic and stunning, ever-changing images quickly. When the generation of images has entered the third wave of cybernetic-"self-organization," human beings are no longer the "producers" of images, but the "trainers" of "image manufacturing machines." The author uses the term "the clones" to re-discuss the process, meaning, and the value of A.I. generated images from the aesthetic perspective. Finally, the author responds to this accelerated technology and society through artwork.

摘要 ii
Abstract iii
誌謝 iv
第一章 緒論 1
1.1研究動機. . . . . . . . . . . . .1
1.2問題意識. . . . . . . . . . . . .3
第二章 速度下的後人類 4
2.1後人類與速度霸權. . . . . . . . . . . . .4
2.2超速精神：共感狂熱. . . . . . . . . . . . .5
2.2.1外在驅力. . . . . . . . . . . . .6
2.2.2內在驅力. . . . . . . . . . . . .7
2.2.3啟蒙至反啟蒙. . . . . . . . . . . . .8
2.3速度過載：科技創傷. . . . . . . . . . . . .9
2.3.1創傷源出於使用者自身. . . . . . . . . . . . .11
2.3.2創傷源出於科技連結介面. . . . . . . . . . . . .13
2.3.3大他者：監控資本主義. . . . . . . . . . . . .15
2.4小結. . . . . . . . . . . . .17
第三章 克隆體 19
3.1克隆體的形成. . . . . . . . . . . . .20
3.1.1輸入材料：數據召喚的集體意識. . . . . . . . . . . . .21
3.1.2演算模型：人類敘事到機器敘事. . . . . . . . . . . . .25
3.1.3影像輸出：非時間敘事有機影像. . . . . . . . . . . . .28
3.2克隆體的演化. . . . . . . . . . . . .32
3.2.1弱影像到強影像. . . . . . . . . . . . .35
3.2.2去中心到再中心. . . . . . . . . . . . .38
3.2.3速度與演算暴力. . . . . . . . . . . . .42
3.3創作視角：何以回應克隆體. . . . . . . . . . . . .47
3.4小結. . . . . . . . . . . . .49
第四章 歷經速度：創作紀錄 50
4.1演算驅動的數位影像. . . . . . . . . . . . .51
4.1.1《逝訊》. . . . . . . . . . . . .51
4.1.2《境像》. . . . . . . . . . . . .56
4.1.3《致日記》. . . . . . . . . . . . .58
4.2克隆體影像. . . . . . . . . . . . .60
4.2.1《慾感：弱影遐想》. . . . . . . . . . . . .61
4.2.2《幻境：台北托邦》. . . . . . . . . . . . .64
4.3小結. . . . . . . . . . . . .67
第五章 書寫作為自我療癒 68
第六章 結語 71
附錄 72
.1《克隆情人》. . . . . . . . . . . . .72
.2《關係測試：唾液與材質實驗》. . . . . . . . . . . . .73
.3《物理攻擊：以服飾為例》. . . . . . . . . . . . .77
.3.1緒論. . . . . . . . . . . . .77
.3.2方法和演算法介紹. . . . . . . . . . . . .78
.3.3實驗與結果. . . . . . . . . . . . .79
.3.4改進方向與未來後續研究. . . . . . . . . . . . .80
.3.5討論與結語. . . . . . . . . . . . .80
.3.5.1避免引起懷疑. . . . . . . . . . . . .80
.3.5.2攻擊抑或防禦. . . . . . . . . . . . .80
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