本論文為陳薇安碩士學位考試音樂會樂曲分析與詮釋報告，簡述其作曲家生平、創作背景與風格，並針對五首樂曲作分析與詮釋。五首樂曲分別為羅伯特．舒曼(Robert Schumann, 1810-1856)《三首浪漫曲，作品編號九十四》、李奧納德．伯恩斯坦(Leonard Bernstein, 1918-1990)《給單簧管與鋼琴的奏鳴曲》、尚．法朗賽(Jean Françaix, 1912-1997)《為單簧管與鋼琴的主題與變奏》、理查．朗尼．班奈特(Richard Rodney Bennett, 1936-2012)《給獨奏單簧管的小奏鳴曲》及齊格佛里德．卡格．埃勒特(Siegfried Karg-Elert, 1877-1933)《第二號為單簧管與鋼琴的奏鳴曲，作品編號一百三十九》。
五首作品包含了德國的音樂、美國音樂、英國音樂與法國音樂。第一首羅伯特．舒曼《三首浪漫曲，作品編號九十四》，創作背景是德國浪漫時期的作品，原先為雙簧管的作品而後改編給單簧管演奏。李奧納德．伯恩斯坦《給單簧管與鋼琴的奏鳴曲》，美國二十世紀重要作曲家、鋼琴演奏家，樂曲中加入了許多爵士的風格。尚．法朗賽《為單簧管與鋼琴的主題與變奏》，法國新古典主義作曲家，他的作品有著幽默的風格，是相當有趣的音樂。理查．朗尼．班奈特《給獨奏單簧管的小奏鳴曲》，現代的英國作曲家。齊格佛里德．卡格．埃勒特《第二號為單簧管與鋼琴的奏鳴曲，作品編號一百三十九》，活躍於二十世紀初的德國作曲家，融合了浪漫主義、印象主義以及表現主義，在和聲與色彩的呈現更加的豐富。

This thesis is an analysis and interpretation of Wei-An Chen’s clarinet recital for master degree program notes. It briefly describes the life, the background, and the genre of the five composers, also respectively analyzes and interprets the five pieces of music.
The five pieces are Robert Schumann’s “Drei Romanzen, Op. 94”; Leonard Bernstein’s “Sonata for Clarinet and Piano”; Jean Françaix’s “Tema Con Variazioni pour clarinette en la piano”; Richard Rodney Bennett’s “Sonatina for Clarinet solo”, and Sigfrid Karg-Elert’s “Zweite Sonata, Op. 139”. The five pieces include variety music styles of Germany, United States, Great Britain, and France.
The first work- Robert Schumann’s “Drei Romanzen, Op. 94” was written in the German Romantic period, which was originally composed for Oboe, lately rearranged for clarinet and piano version. Leonard Bernstein was a significant American composer and pianist in the 20th century, the work“Sonata for Clarinet and Piano” contained jazzy elememt.
Jean Françaix was a French composer in neoclassicism Music. The musical work“Tema Con Variazioni pour clarinette en la piano” presents a unique entertaining interest.Richard Rodney Bennett was a British composer of modern times. Sigfrid Karg-Elert was an active German composer in the 20th century. He integrated the music styles of Romanticism, Impressionism, and Expressionism that result in a richer manifestation of harmony and instrumental color.

一、 中文書目
1. Burton, Humphrey:《伯恩斯坦傳上、下》（Leonard Bernstein）。黃星亮、魏慶龍、何勁松譯。台北：世界文物，1997。
2. 顏涵銳。《舒曼100首經典創作及其故事》。台北：佳赫文化行銷有限公司，2010。
3. 岡部博司。《作曲家別名曲解說珍藏版－舒曼》。林勝儀譯。台北：美樂出版社，2006。

二、 中文期刊
1. 卡格．埃勒特 [夏康舞曲] 之綜觀與分析-選自作品107，第 30 首.。通識學報， 2015，第一期。

三、 中文論文
1. 吳琬琪。〈伯恩斯坦的音樂生涯與創作特色─以《西城故事》為例〉。國立中央大學藝術學研究所碩士論文，2016。
2. 陳淑敏。〈舒曼三首浪漫曲作品九十四之演奏與探討〉。私立輔仁大學音樂學系，2008。
3. 柯綺君。〈法翁賽《為單簧管與鋼琴的主題與變奏》之樂曲探討與詮釋〉。國立臺灣師範大學音樂學系碩士論文，2004。
4. 潘芳荃。〈李察．朗尼．班奈特《寫給單一打擊樂手與室內管弦樂團的協奏曲》之研究〉。東海大學音樂系碩士論文，2013。
5. 蔡涵羽。〈卡格-埃勒特《點描組曲, 作品 135》之樂曲分析與詮釋〉。私立輔仁大學音樂學系碩士論文，2019。
6. 呂紹民。〈Sigfrid Karg-Elert 的《 熱情》 奏鳴曲作品140分析及詮釋〉。臺北藝術大學管絃與擊樂研究所碩士班學位論文，2009。
7. 韓健峰。〈卡格-埃勒特單簧管無伴奏奏鳴曲編號 110 之演奏詮釋〉。臺灣師範大學英語學系學位論文，2004。

四、 外文書目
1. Damschroder, David. Harmony in Mendelssohn and Schumann. Cambridge University Press, 2017.
2. Hurwitz, Johanna. Leonard Bernstein: A Passion for Music. A JPS Young Biography. Jewish Publication Society, 1930 Chestnut Street, Philadelphia, PA 19103. 1993.
3. Burton, Humphrey. Leonard Bernstein. Faber & Faber, 2017.
4. Venezia, Mike. Leonard Bernstein. Children's Press, 2018.
5. Bradshaw, Susan. "Richard Rodney Bennett: The Last Decade." The Musical Times 123.1675 (1982): 609-611.
6. Harris, Paul, and Anthony Meredith. Richard Rodney Bennett: The Complete Musician. Omnibus Press, 2011.

五、 外文論文
1. Knowlton, Casey Leigh. "Is There Romance after Schumann: An Analysis and Discussion of Robert Schumann's Three Romances for Oboe and Piano, Op. 94, Clara Schumann's Three Romances for Violin and Piano, Op. 22, and Other Selected Romances for Violin and Piano, Op. 22, and Other Selected Romances Written for Oboe and Piano." (2016).
2. Lim, Ahrhim. The Romances for Violin and Piano by Robert and Clara Schumann: A Comparison and Contextualization. Diss. University of Cincinnati, 2018.
3. Rojnoveanu, Angela. "Specificul formei variaţionale în tema Con Variazioni de Jean Franзaix." Studiul artelor şi culturologie: istorie, teorie, practică 29.2 (2016): 29-33.
4. Walters, Norene Ann. "The Unaccompanied Choral Works of Richard Rodney Bennett: A Conductor's Guide." (2008).
5. Byrne, David A. The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, Perception. Diss. University of Cincinnati, 2018.
DiMauro, Stephanie. "The flute and piano works of Sigfrid Karg-Elert: An analytical and contextual study." (2014).
6. Swanson, Christina Marie. "Adding to the viola repertoire by arranging: A study on methods of arranging music for viola from clarinet, with an original arrangement of the Saint-Saëns clarinet sonata in E-flat, op. 167." (2003).

六、 網路資料
1. https://clarinet.org/master-class-leonard-bernsteins-sonata-clarinet-piano/
2. https://www.thejazzpianosite.com/jazz-piano-lessons/jazz-scales/pentatonic-scale/
3. https://www.jazzguitar.be/blog/blues-scales/
4. https://learningmusic.ableton.com/advanced-topics/octatonic.html
5. https://jan.ucc.nau.edu/~krr2/ct_octatonic.html
6. http://www.jeanfrancaix.com
7. https://www.britannica.com/biography/Richard-Rodney-Bennett

七、 有聲資料
1. Siegfried Karg-Elert: Zweite H dur für Klarinette une Klavier Op.139b
Csaba Klenyan / Hungqroton HCD 32166