研究生: |
呂宛儒 Lyu,Wan-Ru |
---|---|
論文名稱: |
性別平等教育議題融入國小視覺文化藝術教學之研究 An Action Research on the Integration of Gender Equality Education Issues into Visual Culture Art Education in Elementary School |
指導教授: |
張家霖
Chang, Chia-Lin 蕭銘芚 Shiau, Ming-Twen |
口試委員: |
施富錡
Shih, Fu-Chi 黃銘祝 Huang, Ming-Jou |
學位類別: |
碩士 Master |
系所名稱: |
藝術學院 - 藝術與設計學系美勞教師碩士在職專班 In-service Master Program of Arts Education for Teachers |
論文出版年: | 2023 |
畢業學年度: | 111 |
語文別: | 中文 |
論文頁數: | 149 |
中文關鍵詞: | 性別平等教育 、視覺文化藝術教育 、國小視覺文化藝術教育 |
外文關鍵詞: | Gender Equality Education, Visual Culture and Art Education, Elementary School Visual Culture and Art Education |
相關次數: | 點閱:2 下載:0 |
分享至: |
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
本研究旨在探討如何透過性別平等教育議題融入國小視覺文化藝術教學之系列課程,幫助學生培養學習性別平等教育議題的認知、情意、技能,進而改善學生的性別刻板印象,促進性別平等教育議題在生活中的批判思考、培養出正確的態度與價值觀。本研究的具體目的如下:
一、探討性別平等教育之意義與內涵。
二、發展以性別平等教育議題融入國小視覺文化藝術教學之課程。
三、探討學生本課程中的學習表現、反應與回饋。
四、探討本課程教學實施後對學生性別意識的信念、態度與價值觀的影響。
本課程採取行動研究法,藉由教學觀察記錄與省思、訪談問卷、作品、學習單、半結構式問卷、學生回饋、文件分析等方式,檢視學生的表現及反應,了解其成效。本研究對學習影響之結論如下:
一、促進公平、尊重多元、消除歧視,讓每個人都能在平等的環境中發展與實現自己的潛力。
二、課程內涵符合十二年國民教育核心素養的三面向,同時涵蓋了與性別平等教育議題相關的九個學習主題,有助於學生更深入了解性別平等的觀念。
三、透過生活中的圖像,學生能敏感的對影像中呈現的性別觀念和角色有所質疑,破除性別的偏差觀念和態度,建立正確多元的性別平等的觀念。
四、學生藉由豐富的創作媒材和表現形式,展現了對性別平的重視與關心,更能共情、包容、友善的面對與支持性別平等議題。
期待本研究可以幫助學生了解生活周遭的性別平等議題,增進對視覺藝術文化的感知能力,並提供藝術教學者在不同教育階段和環境中的教學應用。
This study aims to explore how to integrate gender equality education issues into the series of visual culture and art teaching courses in elementary schools to help students develop cognition, affection, and skills in learning gender equality education issues, thereby improving students' gender stereotypes and promoting gender equality education issues Critical thinking in life, develop correct attitudes and values.
The specific purpose of this study is as follows:
1. To explore the meaning and connotation of gender equality education.
2. Develop courses that integrate gender equality education issues into the teaching of visual culture and art in elementary schools.
3. Discuss students' learning performance, reaction and feedback in this course.
4. Discuss the influence of the implementation of this course on the beliefs, attitudes and values of students' gender awareness.
This course adopts the method of action research, through teaching observation records and reflections, interview questionnaires, works, worksheets, semi-structured questionnaires, student feedback, document analysis, etc., to examine students' performance and responses and understand their effectiveness.
The conclusions of this study on the impact of learning are as follows:
1. Promote fairness, respect diversity, and eliminate discrimination, so that everyone can develop and realize their potential in an equal environment.
2. The content of the course is in line with the three aspects of the 12-year national education core literacy, and covers nine learning themes related to gender equality education issues, which will help students better understand the concept of gender equality.
3. Through the images in life, students can sensitively question the gender concepts and roles presented in the images, break away gender biased concepts and attitudes, and establish a correct and diverse concept of gender equality.
4. Through rich creative media and forms of expression, students have shown their emphasis on and concern for gender equality, and they are more empathetic, tolerant, and friendly in facing and supporting gender equality issues.
It is hoped that this research can help students understand gender equality issues around them, enhance their perception of visual art culture, and provide art teachers with teaching applications in different educational stages and environments.
一、中文部分
王儷靜(2015)。在性別平等教育路上遇見杜威。性別平等教育季刊,71,4-6。
吳明隆(2001)。教育行動研究導論-理論與實務。臺北市:五南。
教育部(2014)。十二年國民基本教育課程綱要總綱。臺北市:教育部。
教育部(2019a)。十二年國民基本教育課程綱要 議題融入說明手冊。臺北市:教
育部。
教育部(2019b)。藝術領域課程手冊。臺北市:教育部。
教育部(2003)。國民中小學九年一貫課程綱要重大議題。臺北市:教育部。
國家教育研究院藝術(2016)。十二年國民基本教育藝術領域課程綱要草案。
取自http://www.naer.edu.tw/ezfiles/0/1000/attach/87/pta_10115_5960891_00177.pdf
郭禎祥(2001)。新世紀藝術教育的變動。發表於園立臺灣師範大學美術學系主
辦,新世紀藝術教育理論與實務國際學術研討會論文集(p33-47),臺北。
郭生玉(1997)。心理與教育研究法,14版,台北:精華書局。
陳瓊花(2002b)。大學通識教育之藝術鑒賞課程設計-以“性別與藝術”為主題
之課程設計模式與案例。視覺藝術,5,27-69。doi:10.6960/VA.200205.0027
陳瓊花(2002)。大學通識教育之藝術鑒賞課程設計-以“性別與藝術”為主題之
課程設計模式與案例。視覺藝術,5,27-69。doi:10.6960/VA.200205.0027
陳育淳(2006)。性別議題融入藝術教育之統整課程行動研究實例。師大學報:教
育類,51(2),91-119。doi:10.29882/JTNUE.200610.0005
許如婷(2013)。臺灣當代女性藝術的覺醒:藝術體制中的性別問題批判。藝術學
報,92,177-207。
黃琇屏(2017)。淺談核心素養與評鑑概念。臺灣教育評論月刊,6(3),91-94。
黃淑玲、游美惠(2012)。性別向度與臺灣社會。巨流圖書(藍海文化)。
楊馥如(2019)。性別議題融入大學藝術鑑賞教學之研究。藝術學報,105,81-
107。
溫明麗(2003)。性別與哲學-女性主義彰顯的哲學起思。載於潘惠玲(主編),
性別議題導論(p.5-27)。台北:高教。
蔡清田(2011)。課程改革中的「素養」。幼兒教保研究,7,1-13。
doi:10.6471/JECEC.201107.0001
劉豐榮、簡瑞榮(2002)。社會學與藝術教育。黃壬來主編,藝術與人文教育,
193-222。台北:桂冠。
趙惠玲(2004a)。視覺文化與藝術教育。台北市:師大書苑。
趙惠玲(2004)。後現代藝術教育思潮:視覺文化藝術教育。台灣教育,628,14-
22。doi:10.6395/TER.200408.0014
趙惠玲(2005)。尋“她”千百度-性別議題融入視覺藝術教學。藝術論壇,2,
33-52。doi:10.6236/JAF.200504_(2).0002
二、英文部分
Adams, L. S. (1996). Psychoanalysis I: Freud. In L. S. Adams, The methodologies of art. Colorado: Westview Press.
Alcoff, L. (1988). Cultural feminism versus post-structuralism: The identity Crisis in feminist theory. Signs, 13(3), 405-436.
Beauvoir, Simone,H. M. Parshley (trans./ed.)(1989).The Second Sex.New York:Vintage
Books.
Collins, G. & Sandell, R., (1997).Feminist research: Themes, issues,and applications in art education. In La Pierre, s. &Zimmerman, E. (Eds.), Research methods and methodologies for art education (pp.193-222). Reston, Virginia: The Nation Art Education Association.
Calgary, Ann E. (1996). An art curriculum model for gender equity. In Collins, G. and
Sandell, R. (Eds.), Gender issues in art education: content, contexts, and Strategies
(pp.155-163).Reston, Virginia: The Nation Art Education Association.
Duncum, P. (1999). A case for an art education of everyday aesthetic. Studies in Art Education, 40 (4), 295-311.
Duncum, P. (2002a). Clarifying visual culture art education. Art Education, 55(3), 6-11.
Duncum, P. (2002b). Visual culture art education: Why, what and how.International Journal of Art & Design Education, 21 (1), 14-23.
D'Acci, J. (2004). Television, representation and gender. In R. Allen & A. Hill (Eds.), The television sndies reader (pp. 373-388). New York: Routledge.
Klein,Susan S.(1985)。Handbook for Achieving Sex Equity through Education,
London:Johns Hopkins University Press.
Sturken, M., & Cartwright, L. (2001). Practice of looking:An introduction to visual
culture. New York: Oxford.
Schuster, M. R. & Van Dyne, S. (1998). Placing women in the liberal Stages of
curriculum transformation. In C. A. Woyshner, & H. S. Gelfond (Eds.), Minding
women: Reshaping the educational realm (pp.79-96). MA:President and Fellows of
Harvard College.