本論文為陳季蓮畢業音樂會暨樂曲分析與演奏詮釋。曲目橫跨了四個不同時期，涵蓋：巴洛克時期、古典時期、浪漫時期以及二十世紀初期，極具技巧挑戰性與藝術表現性。筆者藉由蒐集國內外文獻，深入了解作曲家的生平與創作背景，並分析曲式、和聲、素材與動機等等，及紀錄個人詮釋的實踐，與提供克服技巧難點的練習方法。
本文共分為六個章節：第一章為緒論，分別為研究動機與目的、研究範圍與方法及文獻探討；第二章為庫普蘭〈神秘的街壘〉、〈滴答木槌響〉之作曲家生平簡要、樂曲分析與詮釋；第三章為貝多芬降E大調奏鳴曲《告別》，作品81a之作曲家生平簡要、樂曲分析與詮釋；第四章為拉赫曼尼諾夫《柯賴里主題變奏曲》，作品42之作曲家生平簡要、樂曲分析與詮釋；第五章為阿爾貝尼士《伊貝利亞》第一冊之作曲家生平簡要、樂曲分析與詮釋；第六章則為結論。

This analytical and interpretational study is about Chi-Lien-Chen’s master piano recital program. The repertoire spans four distinct musical periods, including the Baroque, Classical, Romantic, and early 20th century, featuring works of significant technical challenges and profound artistic expressivity. Through the collection of domestic and international literature, the author has conducted an in-depth study of the composers' biographies and creative contexts, analyzed musical forms, harmonies, thematic materials, and motifs. Also the author documented the practical application of personal interpretations alongside strategies for overcoming technical challenges in performance. This thesis is divided into six chapters: Chapter 1: Introduction, This chapter introduces the research motivation and objectives, scope and methods of the study, and a review of relevant literature. Chapter 2: Francois Couperin, An overview of the composer's life, with analyses and interpretations of Les Barricades Mystérieuses, Le Tic-Toc-Choc ou les Maillotins. Chapter 3: Ludwig van Beethoven, A discussion of the composer’s biography, along with an analysis and interpretation of the Piano Sonata in E-flat Major, Les Adieux, Op. 81a. Chapter 4: Sergei Rachmaninoff, An exploration of the composer’s life and an analysis and interpretation of the Variations on a Theme of Corelli, Op. 42. Chapter 5: Isaac Albéniz, A study of the composer’s biography and an analysis and interpretation of Iberia, Book I. Chapter 6: Conclusion, This chapter summarizes the findings and reflections on the research and performance process.

一、 中文書目
王欣怡。〈富蘭索瓦·庫普蘭《彈奏大鍵琴的藝術》之探討〉。國立中山大學音樂學系碩士論文。2007。
石芯瑩。〈尹薩克·阿爾貝尼士《依貝利亞》第一冊之探究〉。國立臺南大學音樂學系碩士在職論文。2021。
林依儒。〈阿爾班尼士鋼琴獨奏作品研究－以《小圓舞曲》第六首、《西班牙》、《伊 貝利亞》第一冊為例〉。國立臺灣師範大學音樂學系碩士論文。2016。
林宛誼。〈拉赫曼尼諾夫：《柯瑞里主題變奏曲》作品四十二之樂曲分析與演奏詮釋〉。國立高雄師範大學音樂學系碩士論文。2018。
施邑樺。〈拉赫曼尼諾夫《柯賴里主題變奏曲，作品四十二》之分析與詮釋〉。國立臺北藝術大學音樂學系碩士論文。2018。
徐淳濃。〈貝多芬《告別鋼琴奏鳴曲，作品81a》之音樂分析與研究〉。國立臺北藝術大學音樂學系碩士在職論文。2013。
華克·羅伯特（Walker, Robert）。《偉大作曲家群像：拉赫曼尼諾夫》。何貴鳳 譯。臺北：智庫，1973。
蔡岳岑。〈庫普蘭兩部神化作品之研究〉。國立臺北藝術大學音樂學系碩士論文。2019。
鄭杰。〈貝多芬《降E大調奏鳴曲「告別」，作品81a》風格研究〉。國立臺北藝術大學音樂學系碩士論文。2018。
顏慶瑩。〈探討阿爾貝尼士的《依貝利亞》第一冊中三首作品：〈召喚〉、〈港口、 〈塞維亞聖體節〉之寫作手法與演奏詮釋〉。東吳大學音樂學系碩士在職論文。2014。
羅蘭·羅曼（Rolland, Romain）。《貝多芬傳》。朱友仁 譯。臺南：文國，1995。
Tunley, David。《BBC音樂導讀-庫普蘭》。溫宏 譯。臺北：世界文物出版社，1996。
二、 西文書目
Cooper, Barry. The Creation of Beethoven’s 35 Piano Sonatas. New York: Routledge, 2017.
Longuemare, Anne-Lise. “Nationalism and Exoticism Performing Isaac Albeniz’s Iberia.” D.M.A diss., University of California, 2004.
Mast, Paul B. “Style and structure in Iberia by Isaac Albeniz.” PhD diss., University of Rochester, Eastman School of Music, 1974.
Nunez Alvarez, Lucia. “Isaac Albéniz and the Construction of a Spanish Sound: A Study of Iberia.” D.M.A diss., University of California, 2024.
Rosen, Charles. Beethoven’s Piano Sonatas A Short Companion. New Haven: Yale University Press, 2002.
Taub, Robert. Playing The Beethoven Piano Sonatas. Brooklyn: Amadeus Press, 2002.

三、 網路資料
Higginbottom, Edward. “Couperin [le grand], François(ii).” Grove Music Online. Oxford Music Online. Last modified January 20, 2001. Accessed November 9, 2024. https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.6002278203.
Kerman, Joseph et al. “Beethoven, Ludwig van.” Grove Music Online. Oxford Music Online. Last modified January 20, 2001. Accessed July 14, 2024. https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.40026.
Norris, Geoffrey. “Rachmaninoff, Sergei.” Grove Music Online. Oxford Music Online. Last modified January 20, 2001. Accessed August 18, 2024. https://doi-org.nthulib- oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.50146.
Barulich, Frances. “Isaac Albéniz.” Grove Music Online. Oxford Music Online. Last modified January 20, 2001. Accessed October 02, 2024. https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.00421.
Trend, J.B. “Cante hondo.” Grove Music Online. Oxford Music Online. Revised by Israel J. Katz. Last modified January 20, 2001. Accessed December 12, 2024. https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.04759.
Brown, Maurice J.E. “Arabesque(i).” Grove Music Online. Oxford Music Online. Revised by Kenneth L. Hamilton. Last modified January 20, 2001. Accessed December 12, 2024. https://doi-org.nthulib-oc.nthu.edu.tw/10.1093/gmo/9781561592630.article.01137.

四、 樂譜來源
Couperin, Francois. Les Barricades Mystérieuses. Edited by Johannes Brahms. London: Augener, ca.1888.
Beethoven, Ludwig van. Klaviersonaten, Band II. Edited by Bertha Antonia Wallne. Munich: G. Henle Verlag, 1976.
Rachmaninoff, Sergei. Variations on a Theme of Corelli, Op. 42. New York: Charles Foley, 1931.
Albéniz, Isaac. Iberia. [1906]. Madrid: Unión Musical Española, ca.1990.