研究生: |
蔣欣諭 Chiang, Hsin-Yu |
---|---|
論文名稱: |
文創作為一種小頭家的創業途徑:以范特喜微創文化為例 The Path to Being a Cultural Creative Entrepreneur: A Case Study of Fantasy Story |
指導教授: |
鄭志鵬
Cheng, Chih-Peng |
口試委員: |
古明君
Ku, Ming-Chu 劉維公 Liou, Wei-Gong |
學位類別: |
碩士 Master |
系所名稱: |
人文社會學院 - 社會學研究所 Institute of Sociology |
論文出版年: | 2018 |
畢業學年度: | 106 |
語文別: | 中文 |
論文頁數: | 122 |
中文關鍵詞: | 文化創意產業 、創業者 、文化中介者 、異質連結網絡 、理念型創業 |
外文關鍵詞: | cultural creative industries, entrepreneur, ideal entrepreneurs, cultural intermediaries, heterogeneous-connected network |
相關次數: | 點閱:1 下載:0 |
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台灣政府大力推動文化創意產業,期待以軟實力作為台灣經濟的突破口;此外,民間也對此產業有一定的期待。然而,在政策實際落實後,民眾卻發現政策與期待有落差,導致批評聲浪四起,加深大眾對「文創」的負面印象。儘管如此,仍可發現近幾年來進入文創產業的創業者不減反增。針對此一現象,本文主要的問題意識:文創如何作為小頭家的創業途徑?
本研將以從創業行動者視角切入,援引「結構洞理論」與「文化中介者」的概念為分析基礎,來探究創業者創業路徑的形成與運作過程。本文發現,文創創業者的創業理念從市場經濟邏輯轉變為文化社會邏輯,這反映出文創創業者對於創業與工作的想像,已經不同於跟過去在台灣的創業者。其次,文化中介者透過制度安排建構出經濟、文化與社會三層面所交織而成的異質連結網絡,支撐文創創業者落實理念型創業。最後,本文指出,原本處在劣勢位置的行動者可以透過在場域內習得的技術竅門來運用結構洞,為自己創造優勢位置的機會。
In recent years, the Taiwanese government has been strongly promoting cultural and creative industries in order to spur economic growth by evoking the soft power of the industries. Aside from the government, many people also expected to see the development of the industries. However, after the government conducted the policy of cultural creative industries, some disparity between political effect and people’s expectation are recognized.
The policy has been widely blasted because it does not achieve what people had expected. However, the outcome does not discourage people from joining the industries. Instead, more and more people choose to enter the industries by starting their own businesses. The research puzzle of this study begins with this phenomenon, and the question asked in this paper is: Why and how creative industries become a choice when people start their own business?
By taking an actor-centered approach, this research combines the concepts of the “structural holes” and “cultural intermediaries” to examine how these entrepreneurs start their own business by joining cultural industries, in particular their entrepreneurial motive and the business environment.
The main findings of the research are: Firstly, in contrast to previous research on Taiwan’s entrepreneurs, these entrepreneurs’ motive has shifted from market-economy-based to socio-cultural-oriented. Therefore, they are termed as “ideal entrepreneurs” in this study and their imagination of work is different from their counterparts of the past in Taiwan. Secondly, cultural intermediaries have constructed a heterogeneous-connected network, which is embedded in the economic, cultural, and social contexts. This network supports entrepreneurs to practice their ideal business. Finally, entrepreneurs who stay in the disadvantage position can use know-how, which they learned in this heterogeneous-connected network, to create advantages for themselves.
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