本創作論述統整筆者2019至2021 年期間作品，以分析《山海經》內容
角色為延伸，加上自身經驗幻化出創作，傳遞對於現代社會的省思和價值觀，從出社會工作到教師甄試的艱辛，親情間難以言喻的情緒糾結，經歷生與死的傷痛過程，體悟出人間百態進而闡述的觀感。

從《山海經》眾多圖像中，多以天地神祇、幻獸和異域奇國之研究探討，透過奇幻角色做新的改造，以人之型態為主要呈現，常利用裝飾性物件來隱喻生活中的魔鬼細節，深藏在某一處而不自知。

本文共分五個章節，首章「緒論」，說明本研究動機是筆者自小喜愛怪誕神話故事，進而走入《山海經》旅程一探究竟。第二章「山海經世界」，發現起源最早無法肯定，讓這部奇書更帶有神祕色彩，內容上包含地理概念和數百個神話形象做五大分類，至於歷代圖像介紹由明清時期到現代版本，發現各時期作品風格不同和充滿多樣性。第三章「創作淵源與理念」，看見神話的影響力並討論神話的產生和價值，隨著歷史的流逝，看見多元的神話圖像，並分析其中西繪畫精神的差異，末節重點在個人山海經創作中的思維與風格，以個人生命經驗和融合中西技法為創作風格，包含工筆、水墨、西方寫實明暗和漫畫元素。第四章「作品解析」分三系列，「逆天之神系列」共三幅，講述筆者的叛逆之心，艱辛過程中找到了勇氣；「吾說之國系列」共九幅，談到工作職場上的應對進退，並嘗試幽默化解危機；「靈性之獸系列」共三幅，從眾獸中看見萬物之道，喚起自我深處的童心。第五章「結論」，此章總結本文主旨，並進一步說明未來發展。

This paper summarizes the author's works from 2019 to 2021, extending from analyzing the contents and roles of Shan Hai Jing (The Classic of Mountains and Seas) and transforming her works with her own experience to convey her reflection and values on modern society. From the hardships of entering the workplace to the teacher's assessment, the emotional entanglements between family members are indescribable, and the pain of life and death is experienced. These are what the author elaborated after experiencing the vicissitudes of life.

Among the numerous images in Shan Hai Jing, this study mainly discusses the gods of heaven and earth, mythical beasts, and exotic countries and presents them in human form through a new transformation of fantasy characters. Moreover, decorative objects are used to metaphorize the details in life hidden in a certain place unknown.

This paper contains five chapters, Chapter 1 “Introduction” explaining its motivation. The author had been fond of fanciful and strange tales since she was little and embarked on a journey to Shan Hai Jing. Chapter 2 “The world view of Shan Hai Jing”, the discovery of its earliest uncertain origins adds to the mystery. In this chapter, geographical concepts and hundreds of mythological images are classified into five categories. As for the introduction of images from the Ming and Qing Dynasties to modern times, it is found that the styles of works in each period are full of diversity. Chapter 3“The origin and concept of the creation of Shan Hai Jing” as well as how the author sees the influence of the tales and discusses their birth and value. With the passage of history, people witness multiple mythological images and analyze the oriental and western spiritual differences in paintings. The chapter's last section focuses on the personal thinking and style in the creation of Shan Hai Jing and discusses how the author integrates her personal life experience with Chinese and Western creation techniques, including gong bi, ink painting, western realist light and shade, and comic elements. Chapter 4 “Explanation of the Works” analyzes three series of paintings, including three paintings in the "Gods against Heaven" series that reveal the author's rebellious heart and how she found courage within hardship, nine paintings in the "My World" series involve discussions dealing with my professional situations and solving crises with humor, and three paintings in the "Spiritual Beast" series, invoke the awakening of the inner child to realize all things. Chapter 5 is “Conclusion”, which summarizes the main ideas of this paper and indicates my art prospecting.

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二、期刊

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