本論文將探討巴哈《平均律鍵盤曲集第六號D小調前奏曲與賦格，作品八百七十五號》、貝多芬《第十七號D小調鋼琴奏鳴曲，作品三十一號之二》、《第二十七號E小調鋼琴奏鳴曲，作品九十號》以及蕭邦《第一號降B小調夜曲，作品九之一》、《第一號G小調敘事曲，作品二十三號》、《第二號F大調敘事曲，作品三十八號》、《第三號降A大調敘事曲，作品四十七號》之樂曲分析與詮釋；筆者將會以巴洛克、古典與浪漫時期三種不同風格作曲家之鋼琴作品為研究範本，詳細介紹樂曲特色、創作背景以及演奏詮釋與分析。
筆者對樂曲研究分析的目的是希望對特定作曲家的生平以及作品有更深入的了解，並進一步對樂曲詮釋提供客觀的資料與分析結果，透過以下三點將有助於筆者的演出更具有說服力：第一、筆者將深入研究演奏曲目的創作背景。第二、藉由曲式分析，讓筆者藉由了解樂句、段落、結構在觸鍵、音色和音樂表現等上做出適當的詮釋。第三、透過閱讀文獻來了解巴哈、貝多芬及蕭邦創作思想的形成，使筆者能從不同角度探究，能詮釋得更完整且淋漓盡致。

This thesis will discuss an analysis of J.S. Bach: Prelude and Fuga in D Minor from The Well-Tempered Clavier BWV 875, L.v. Beethoven: Piano Sonata No.17 in D Minor, Op. 31 No. 2, Piano Sonata No. 27 in C Minor, Op. 90. and F. Chopin: Nocturne in B flat Minor, Op.9, No.1, Ballade No.1 in G Minor, Op.23, Ballade No. 2 in F Major, Op.38, and Ballade No.3 in A-flat Major, Op.47.
I will illustrate musical characteristics and discuss details of compositional background, interpretation and analysis of piano performance in three different styles: Baroque, Classicism and Romanticism. The purpose of my analysis of these compositions is to gain a deeper understanding of the composer's life and works by gathering objective information and derived results. There are three ways to improve my performance and make them more convincing. Firstly, I will deeply understand the background of the pieces. Secondly, I aim to make appropriate interpretations of touch, timbre, and musical expressions through music analysis. Thirdly, I would explore the formation of creative thoughts in the music of Bach, Beethoven, and Chopin. As a result, I would be able to play more incisively and vividly through research from different angles.

一、中文/外文專書
王次炤 主編。《貝多芬32首奏鳴曲注釋》。西安：世界圖書，2000。
目黑 惇。《巴哈－名曲解說珍藏版12》，林勝儀譯。臺北：美樂，2000。
目黑 惇。《貝多芬－名曲解說珍藏版3》。林勝儀譯。臺北：美樂，2006。
目黑 惇。《蕭邦－名曲解說珍藏版4》。林勝儀譯。臺北：美樂，1999。
張大勝。《鋼琴音樂研究》。臺北：全音樂譜，1989。
賴美鈴、潘宇文、曾黛君、郭姿均、賴安荺，《音樂-第三篇審美與音樂欣賞》。國立臺灣藝術教育館，2006。
鄭興三。《貝多芬鋼琴奏鳴曲研究》。廈門大學，廈門，1994。
邵義強 譯。貝多芬〈下〉。（天同，1986）。
邵義強。《貝多芬鋼琴作品剖析》。（臺北：天同，1984）。魏納•萊奧。《器樂曲式學》。北京：人民，2002。
許麗雯。《你不可不知道的貝多芬100首經典創作及其故事》。臺北：佳赫，2011。
邵義強。《浪漫樂派樂曲賞析（二）》。臺北：錦繡，1999。
錢仁康。《蕭邦敘事曲》。北京：人民，2006。
劉志明，《巴洛克時代音樂史》。臺北：全音樂譜，2002。
Kenneth Drake. The Sonatas of Beethoven, As He Played and Taught them. 王杰珍 譯。桃園：中原，2008。
Paule de Bouchet，《巴哈世人稱頌的樂長》，劉君強、蔡鴻濱譯。臺北：時報，1997。

二、中文論文/期刊
林恩。巴赫《C小調第二號組曲》BWV826、貝多芬鋼琴奏鳴曲作品 31-2《暴風雨》之分析與詮釋探討。中國文化大學藝術學院音樂學系碩士論文，2016。
高良宜。《貝多芬鋼琴奏鳴曲作品十三、三十一之二及八十一a之詮釋研究》。中國文化大學藝術研究所音樂組，2009。
葛令涵。《貝多芬奏鳴曲作品三十一之一及三十一之二之研究》。中國文化大學藝術學院音樂學系西洋音樂組碩士班，2013。
詹為琇。貝多芬《e 小調鋼琴奏鳴曲，作品 90》與《A 大調鋼琴奏鳴曲，作品101》之音樂分析與詮釋。（國立台灣師範大學音樂學系碩士論文，
2017）。
陳雯欣。《貝多芬鋼琴奏鳴曲作品九十之研究》，（天主教輔仁大學音樂系研究所碩士論文，2019）。
郭亮吟、張芷茵著。探索貝多芬《鋼琴奏鳴曲，作品九十》之源流與發展。
《國立虎尾科技大學學報》，第三十六卷第三期（民國一一一年三月）。
洪千晶。《蕭邦四首鋼琴敘事曲》研究。國立臺北藝術大學碩士在職專班論文，2013。
黃惠君。蕭邦《四首敘事曲》之作品研究與演奏與詮釋。國立台北教育大學人文藝術學院音樂學系碩士論文，2011。

 
三、外文論文/期刊
Barkel, J. E. (1981). The Ballades of Frederic Chopin. A Thesis Submitted to Graduate. Faculty of the University of North Dakota in partial fulfillment of the requirement for the degree of master of Arts.
Björling, D. (2002). Chopin and the G minor Ballade. Lulea University of Technology. Independent thesis Advanced level (degree of Master One Year).
Craw, H. A. (1948). A historical and stylistic analysis of the “Sonata, Op.31, No.2, in D minor of Beethoven. Doctoral dissertation, North Texas State Teachers College.
James, Z. (2012). The Role of Harmonic Formal Elements as They Relate to Performance Practices in Chopin’s Ballade No.3 in A- Flat Major, Op.47.
Lee, T. R. (2017). Chopin’s Ballade No.1 in G Minor : Aspects of Form and Narrative.
Luong, V. (2012). Schenkerian Performance and Analysis in Dialogue:
A Reconsideration of Beethoven's Piano Sonata in E minor, Op. 90, mov.I, A thesis submitted to McGill University in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory.
Medrano Vazquez, O. (2018). A study of L. Van Beethoven’s Sonata Op. 31, No.1; Chopin’s Nocturne Op. 55, No. 2 and Ballade Op. 23; Ponce’s Prelude and Fugue on a theme by Handel; and Larregla’s Viva Navarra! Jota de Concierto: Historical, theoretical and stylistic implications. MASTER OF MUSIC, KANSAS STATE UNIVERSITY of Music, Theatre, and Dance College of Arts and Sciences.

Majka, L., Goździk, J., & Witt, M. (2003). Cystic fibrosis-a probable cause of. Frédéric Chopin's suffering and death.
Noland, K.K. (2009). Grundgestalt and Deatonic/Octatonic interaction in Chopin’s Ballades.
Orin Samuel Driggers, B.M. (1967). Forms in the Chopin Ballades thesis. Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of Master of Music.
Treber, S. L. (2010). A Schenkerian analysis of Beethoven’s E minor Piano Sonata, Opus 90, Thesis prepared for the degree of master of arts, University of North Texas.
Tang, Y. (2023). Analysis and Interpretation of Frédéric Chopin’s Early and Late Nocturnes: Case Studies of Chopin’s Nocturnes, Op. 9, No. 1 and Op. 62, No. 1. (Doctoral dissertation, Arizona State University).
四、網路資料
Beggerow, A. (2014). Beethoven - Piano Sonata No. 17 In D Minor. Tempest. Music
Musings.
https://muswrite.blogspot.com/2014/01/beethoven-piano-sonata-no-17-in-d-minor.html
摘錄於 03 March 2023
Buja, M. (2022). Beethoven in His Year of Despair Piano Sonata. No. 17 in D Minor,
Op. 31, No. 2, Tempest. Interlude.
https://interlude.hk/beethoven-piano-sonata-no-17-in-d-minor-op-31-no-2-tempest/
摘錄於03 March 2023
Charalampos K. risvas. (2015). L.v. Beethoven’s Sonata Op.31, No.2 La. Tempesta I. Largo– Allegro a Critical Anthology on the Form. Research Gate. https://www.researchgate.net/publication/344412644_L_v_Beethoven%27s_Sonata_op_31_no_2_La_Tempesta_I_Largo_Allegro_A_critical_anthology_on_the_form
摘錄於 21March 2023
Gómez-Martín, F., Taslakian, P., & Toussaint, G. (2009) . Interlocking and Euclidean rhythms. Taylor& Francis Online
https://www.tandfonline.com/doi/full/10.1080/17459730902916545
摘錄於01 May 2024
Levang, R. (2023). The three periods of Beethoven's music. Your Classical.
https://www.yourclassical.org/story/2011/12/16/beethovens-birthday
摘錄於03 May 2024
Plantinga, L., & Hedley, A. (2024). Frédéric Chopin Polish-French composer and pianist. Britannica.
https://www.britannica.com/biography/Frederic-Chopin
摘錄於16 August 2023
Schwarm, B. (2024) . Beethoven Piano Sonatas. Britannica.
https://www.britannica.com/topic/Beethoven-Piano-Sonatas
摘錄於 22 March 2024

 
五、樂譜版本
Bach, Johann Sebastian. Prelude and Fuga in D minor from The Well-Tempered Clavier, BWV875, Edited by Franz Kroll.
Beethoven, Ludwig van. Piano Sonata No.17 in D minor, Op.31, No.2, Edited by. Frederic Lamond.
Beethoven, Ludwig van. Piano Sonata No.27 in C minor, Op.90. Edited by Frederic. Lamond.
Chopin, Frédéric. Nocturnes in B flat minor, Op.9. Edited by Woldemar Bargiel.
Chopin, Frédéric. Ballade No.1 in G minor, Op.23. Edited by Herrmann Scholtz.
Chopin, Frédéric. Ballade No.2 in F major, Op.38. Edited by Carl Mikuli.
Chopin, Frédéric. Ballade No.3 in A- flat Major, Op.47. Edited by Ernst Rudorff.